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The Routledge Companion to World Cinema

by , , and

Type
Studies
Subject
Countries
Keywords
world cinema
Publishing date
Publisher
Routledge
Collection
Routledge Companions
1st publishing
2017
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback542 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-367-58107-7
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Book Presentation:
The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world. Each of the forty chapters provides a survey of a topic, explaining why the issue or area is important, and critically discussing the leading views in the area. Designed as a dynamic forum for forty world-leading scholars, this companion contains significant expertise and insight and is dedicated to challenging complacent views of hegemonic film cultures and replacing outmoded ideas about production, distribution and reception. It offers both a survey and an investigation into the condition and activity of contemporary filmmaking worldwide, often challenging long-standing categories and weighted—often politically motivated—value judgements, thereby grounding and aligning the reader in an activity of remapping which is designed to prompt rethinking.

About the authors:
Rob Stone is Chair of European Cinema and Professor of Film Studies at the University of Birmingham, where he co-directs B-Film: The Birmingham Centre for Film Studies.Paul Cooke is Centenary Chair of World Cinemas at the University of Leeds and the Director of the Centre for World Cinemas and Digital Cultures.Stephanie Dennison is Chair of Brazilian Studies and a founding member of the Centre for World Cinemas and Digital Cultures at the University of Leeds.Alex Marlow-Mann is Lecturer in Italian at the University of Kent.

Press Reviews:
At last, a comprehensive study of one of America's most important independent filmmakers. This hugely readable and highly nuanced book reveals the sophisticated approach to filmmaking that underpins the apparent casualness of Linklater's 'slacker' aesthetic. Paul Cooke, University of Leeds

A study as compelling and nuanced as Linklater's films. With remarkable insight, this volume provides provocative reflections on industry and indie filmmaking practices by exploring the work of this innovative filmmaker. Ann Marie Stock, College of William and Mary

Stone's excellent book covers the director's entire career with skill and insight, illustrated with numerous stills throughout...an excellent course text, written in direct, accessible language. Choice

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