Books in French are on www.livres-cinema.info
MENU   

The Last Laugh

Strange Humors of Cinema

Edited by Murray Pomerance

Type
Essays
Subject
Sociology
Keywords
perception, humor, viewer
Publishing date
2013
Publisher
Wayne State University Press
Collection
Contemporary Approaches to Film and Media
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 256 pages
6 x 9 inches (15.5 x 23 cm)
ISBN
978-0-8143-3513-0
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Fascinating explorations of dark, strange, unpredictable, and non-comedic laughter.

For critics, fans, and scholars of drama and film, the laugh has traditionally been tied to comedy, indicating and expressing mirth, witty relief, joyous celebration, or arch and sarcastic parody. But strange, dark laughter that illuminates non-comedic, unfunny situations gets much less attention. In The Last Laugh: Strange Humors of Cinema, editor Murray Pomerance has assembled contributions from thirteen estimable scholars that address the strange laughter of cinema from varying intellectual perspectives and a wide range of sources.

Contributors consider unusual humors in a variety of filmic settings, from the chilling unheard laughter of silent cinema to the ribald and mortal laughter in the work of Orson Welles; the vagaries and nuances of laughter in film noir to the eccentric laughter of science fiction. Essays also look at laughter in many different applications, from the subtle, underlying wit of the thriller Don't Look Now to the deeply provocative humor of experimental film and the unpredictable, shadowy, insightful, and stunning laughter in such films as Black Swan, Henry Fool, The Treasure of the Sierra Madre, Kiss of Death, The Dark Knight, and A.I. Artificial Intelligence.

The accessibly written, unique essays in The Last Laugh bring a new understanding to the delicate balance, unsettled tensions, and fragility of human affairs depicted by strange humor in film. For scholars of film and readers who love cinema, these essays will be rich and playful inspiration.

About the Author:
Murray Pomerance is a Canadian film scholar, author, and professor who teaches in the Department of Sociology at Ryerson University and in the joint program in communication and culture at Ryerson University and York University. He has written extensively on film, cinematic experience, and performance. Most recently he authored The Eyes Have It: Cinema and the Reality Effect, Tomorrow, Alfred Hitchcock's America, Michelangelo Red Antonioni Blue: Eight Reflections on Cinema and Edith Valmaine and is a co-editor of Hollywood's Chosen People: The Jewish Experience in American Cinema (Wayne State University Press, 2012). Pomerance is the editor and co-editor of more than a dozen books and the editor of several book series on film at Rutgers University Press and at the State University of New York Press.

Press Reviews:
Rather than eliciting many outright chuckles, this unusual, fresh, and fascinating collection of essays grins ambivalently at the reader. . . The 13 contributors dissect a variety of strange laughter: transgressive, resigned, ironic, and pathological. Grotesque and abject Wellesian laughter roars alongside the vagaries and nuances of laughter in film noir. . . For scholars of film and readers who enjoy cinema, these essays will be playful inspiration. Summing Up: Highly recommended.
-T. Lindvall

Pomerance and his contributors have compiled a solid compilation that will benefit both seasoned film scholars and those looking to gain a better understanding of the films and genres discussed in this excellent collection.
-David Young

Innovative and unclassifiable. The kind of book that makes you see films you thought you knew well in new and exciting ways. Virtually every essay is a little gem with the book as a whole adding up to a veritable redefinition of film comedy.
-David M. Desser, Professor Emeritus at the University of Illinois

See the publisher website: Wayne State University Press

> Books with the same or similar title:

> From the same author:

Uncanny Cinema:Agonies of the Viewing Experience

Uncanny Cinema (2023)

Agonies of the Viewing Experience

by Murray Pomerance

Subject: Theory

Color It True:Impressions of Cinema

Color It True (2023)

Impressions of Cinema

by Murray Pomerance

Subject: Technique > Aesthetics

The Film Cheat:Screen Artifice and Viewing Pleasure

The Film Cheat (2020)

Screen Artifice and Viewing Pleasure

by Murray Pomerance

Subject: Theory

Virtuoso:Film Performance and the Actor's Magic

Virtuoso (2019)

Film Performance and the Actor's Magic

by Murray Pomerance

Subject: Technique > Acting

Cinema, If You Please:The Memory of Taste, the Taste of Memory

Cinema, If You Please (2018)

The Memory of Taste, the Taste of Memory

by Murray Pomerance

Subject: Sociology

Close-Up:Great Cinematic Performances Volume 1: America

Close-Up (2018)

Great Cinematic Performances Volume 1: America

Dir. Murray Pomerance and Kyle Stevens

Subject: Technique > Acting

Close-Up:Great Cinematic Performances Volume 2: International

Close-Up (2018)

Great Cinematic Performances Volume 2: International

Dir. Murray Pomerance and Kyle Stevens

Subject: Technique > Acting

Hamlet Lives in Hollywood:John Barrymore and the Acting Tradition Onscreen

Hamlet Lives in Hollywood (2017)

John Barrymore and the Acting Tradition Onscreen

Dir. Murray Pomerance and Steven Rybin

Subject: Actor > John Barrymore

Moment of Action:Riddles of Cinematic Performance

Moment of Action (2016)

Riddles of Cinematic Performance

by Murray Pomerance

Subject: Technique > Acting

Thinking in the Dark:Cinema, Theory, Practice

Thinking in the Dark (2015)

Cinema, Theory, Practice

Dir. Murray Pomerance and R. Barton Palmer

Subject: Theory

The Eyes Have It:Cinema and the Reality Effect

The Eyes Have It (2013)

Cinema and the Reality Effect

by Murray Pomerance

Subject: Technique > Set Design

Hollywood's Chosen People:The Jewish Experience in American Cinema

Hollywood's Chosen People (2012)

The Jewish Experience in American Cinema

Dir. Daniel Bernardi, Hava Tirosh-Samuelson and Murray Pomerance

Subject: Countries > United States

Shining in Shadows:Movie Stars of the 2000s

Shining in Shadows (2011)

Movie Stars of the 2000s

Dir. Murray Pomerance

Subject: On Films > Per period

A Little Solitaire: John Frankenheimer and American Film

A Little Solitaire (2011)

John Frankenheimer and American Film

Dir. Murray Pomerance

Subject: Director > John Frankenheimer

A Family Affair:Cinema Calls Home

A Family Affair (2008)

Cinema Calls Home

Dir. Murray Pomerance

Subject: Sociology

The Horse Who Drank the Sky:Film Experience Beyond Narrative and Theory

The Horse Who Drank the Sky (2008)

Film Experience Beyond Narrative and Theory

by Murray Pomerance

Subject: Theory

City That Never Sleeps:New York and the Filmic Imagination

City That Never Sleeps (2007)

New York and the Filmic Imagination

Dir. Murray Pomerance

Subject: On Films > Locations

American Cinema of the 1950s:Themes and Variations

American Cinema of the 1950s (2005)

Themes and Variations

Dir. Murray Pomerance

Subject: On Films > Per period

Bad:Infamy, Darkness, Evil, and Slime on Screen

Bad (2003)

Infamy, Darkness, Evil, and Slime on Screen

Dir. Murray Pomerance

Subject: General

Ladies and Gentlemen, Boys and Girls:Gender in Film at the End of the Twentieth Century

Ladies and Gentlemen, Boys and Girls (2001)

Gender in Film at the End of the Twentieth Century

Dir. Murray Pomerance

Subject: Sociology

> On a related topic:

What Makes a Film Tick?:Cinematic Affect, Materiality and Mimetic Innervation

What Makes a Film Tick? (2011)

Cinematic Affect, Materiality and Mimetic Innervation

by Anne Rutherford

Subject: Sociology

Savage Theory:Cinema as Modern Magic

Savage Theory (1999)

Cinema as Modern Magic

by Rachel O. Moore

Subject: Sociology

The Address of the Eye:A Phenomenology of Film Experience

The Address of the Eye (1991)

A Phenomenology of Film Experience

by Vivian Sobchack

Subject: Theory

Cinema and Psyche in Analytical Psychology:Individuation as a Pathway to Love

Cinema and Psyche in Analytical Psychology (2025)

Individuation as a Pathway to Love

by Joanna Dovalis and John Izod

Subject: Sociology

Screen Captures:Film in the Age of Emergency

Screen Captures (2021)

Film in the Age of Emergency

by Stephen Lee Naish

Subject: Sociology

Eastern Approaches to Western Film:Asian Reception and Aesthetics in Cinema

Eastern Approaches to Western Film (2021)

Asian Reception and Aesthetics in Cinema

by Stephen Teo

Subject: Sociology

12690 books listed   •   (c)2024-2025 cinemabooks.info   •