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Divas on Screen
Black Women in American Film
de Mia Mask
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Description de l'ouvrage:
Accessible, theoretical readings of popular African American women film icons
This insightful study places African American women's stardom in historical and industrial contexts by examining the star personae of five African American women: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey, and Halle Berry. Interpreting each woman's celebrity as predicated on a brand of charismatic authority, Mia Mask shows how these female stars have deftly negotiated the uneven terrain of racial, gender, and class stereotypes. As international celebrities, these women have ultimately complicated the conventional discursive and industrial practices through which blackness and womanhood have been represented in commercial cinema, independent film, and network television.
Mask examines the function of these stars in seminal yet underanalyzed films. She considers Dandridge's status as a sexual commodity in films such as Tamango, revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier's feminist-camp performances in sexploitation pictures Women in Cages and The Big Doll House and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg's transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey's daily television performance as self-made, self-help guru echoes Horatio Alger's narratives of success. Finally, Mask analyzes Berry's meteoric success by acknowledging the ways in which Dandridge's career made Berry's possible.
À propos de l'auteur :
Mia Mask is an associate professor of film at Vassar College.
Revue de Presse:
"[A] remarkable, straightforward book. . . . Mask interrogates the star personae of each of her subjects with a rigor that is unique and as refreshing as it is accessible and well written. Mask's cultural critique of her subjects and the world in which they operate resonates long after one has finished the volume. Highly recommended."--Choice
Voir le site internet de l'éditeur University of Illinois Press
> Du même auteur :
Contemporary Black American Cinema (2014)
Race, Gender and Sexuality at the Movies
Dir. Mia Mask
Sujet : Countries > United States
> Sur un thème proche :
Where No Black Woman Has Gone Before (2018)
Subversive Portrayals in Speculative Film and TV
Sujet : Sociology
Cinema Remixed and Reloaded (2008)
Black Women and the Moving Image Since 1970
de Andrea Barnwell Brownlee et Valerie Cassel Oliver
Sujet : General
Chick Flicks (2007)
Contemporary Women at the Movies
Dir. Suzanne Ferriss et Mallory Young
Sujet : Sociology
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