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Yellow Crocodiles and Blue Oranges

Russian Animated Film since World War II

by

Type
Studies
Subject
Countries
Keywords
Soviet cinema, animation, ideology
Publishing date
Publisher
McGill-Queen's University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover296 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-7735-2871-7
978-0-7735-2871-0
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Book Presentation:
A comprehensive history that reveals the revolutionary spirit and philosophical underpinnings of Russian animation.

Political positions come and go but talking animals, evil witches, and mythical princesses endure. David MacFadyen argues that Soviet socialist animation between 1936 and 1999 was a fundamentally emotional, not propagandistic, enterprise that requires a reconsideration of Soviet art in general. Of particular interest are the relationships between realist Russian animation and USSR politics and the lasting success of Disney in the Soviet Union.

MacFadyen further analyses Soviet animation through phenomenology, arguing that the latter is a viable alternative not only to dogmatic Marxism but also to the ideological vacuum of post-Soviet times. The book includes a comprehensive bibliography and filmography as well as a rich collection of images.

About the Author:
David MacFadyen is a professor of Slavic languages and literatures at UCLA. He has written extensively on Soviet popular culture and is the author of The Sad Comedy of Èl'dar Riazanov and several books on Joseph Brodsky.

See the

> From the same author:

The Sad Comedy of Èl'dar Riazanov:An Introduction to Russia's Most Popular Filmmaker

(2003)

An Introduction to Russia's Most Popular Filmmaker

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> On a related topic:

Drawing the Iron Curtain:Jews and the Golden Age of Soviet Animation

(2016)

Jews and the Golden Age of Soviet Animation

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Not According to Plan:Filmmaking Under Stalin

(2020)

Filmmaking Under Stalin

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Socialist Senses:Film, Feeling, and the Soviet Subject, 1917–1940

(2017)

Film, Feeling, and the Soviet Subject, 1917–1940

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New Soviet Man:Gender and Masculinity in Stalinst Soviet Cinema

(2003)

Gender and Masculinity in Stalinst Soviet Cinema

by

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Revolt of the Filmmakers:The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry

(2000)

The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry

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