Books in French are on www.livres-cinema.info
MENU   

Bollywood's India

A Public Fantasy

by Priya Joshi

Type
Stories
Subject
CountriesIndia
Keywords
India, Hindi cinema
Publishing date
2015
Publisher
Columbia University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 216 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-231-16960-8
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Bollywood is India's most popular entertainment and one of its most powerful social forces. Its blockbusters contest ideas about state formation, capture the nation's dispersed anxieties, and fabricate public fantasies of what constitutes "India." Written by an award-winning scholar of popular culture and postcolonial modernity, Bollywood's India analyzes the role of the cinema's most popular blockbusters in making, unmaking, and remaking modern India.

With dazzling interpretive virtuosity, Priya Joshi provides an interdisciplinary account of popular cinema as a space that filters politics and modernity for its viewers. Themes such as crime and punishment, family and individuality, vigilante and community capture the diffuse aspirations of an evolving nation. Summoning India's tumultuous 1970s as an interpretive lens, Joshi reveals the cinema's social work across decades that saw the decline of studios, the rise of the multi-starrer genre, and the arrival of corporate capital and new media platforms. In elegantly crafted studies of iconic and less familiar films, including Awara (1951), Ab Dilli Dur Nahin (1957), Deewaar (1975), Sholay (1975), Dil Se (1998), A Wednesday (2008), and 3 Idiots (2009), Joshi powerfully conveys the pleasures and politics of Bollywood blockbusters.

About the Author:
Priya Joshi is associate professor of English at Temple University. She is the author of In Another Country: Colonialism, Culture, and the English Novel in India, winner of the Modern Language Association's Prize for the Best First Book, the Sonya Rudikoff Prize for best first book in Victorian studies by the Northeast Victorian Studies Association, and a Choice Outstanding Academic Title award. She is coeditor of The 1970s and Its Legacies in India's Cinemas.

Press Reviews:
Priya Joshi's work is a timely assessment of key films and periods in Bollywood's history. Its wide-ranging literary, theoretical, and sociocultural perspectives, which cut across literature, postcolonial studies, media, and cultural studies, will surely be taken up by other scholars as well as general readers. A fine piece of scholarship. Rajinder Dudrah, University of Manchester

Lavishly illustrated... this volume would be an excellent course text for a semester on Bollywood.... Highly recommended. Choice

A lively, thoughtful writer, Joshi shows how Bollywood films have mirrored India's social, political and economic changes, and how western films have been influenced by Bollywood trends and motifs. Steven Rea, The Philadelphia Inquirer

Well-structured.... Joshi's book perfectly captures the history of Bollywood cinema and its cultural impact for the newcomer and seasoned viewer alike. Film Matters

See the publisher website: Columbia University Press

> Books with the same or similar title:

Bollywood's India:Hindi Cinema as a Guide to Contemporary India

Bollywood's India (2014)

Hindi Cinema as a Guide to Contemporary India

by Rachel Dwyer

Subject: Countries > India

> From the same author:

> On a related topic:

The Vanishing Point:Moving Images After Video

The Vanishing Point (2022)

Moving Images After Video

by Rashmi Sawhney

Subject: Countries > India

Bollypolitics:Popular Hindi Cinema and Hindutva

Bollypolitics (2026)

Popular Hindi Cinema and Hindutva

by Ajay Gehlawat

Subject: Countries > India

Muslim Identity in Hindi Cinema:Poetics and Politics of Genre and Representation

Muslim Identity in Hindi Cinema (2025)

Poetics and Politics of Genre and Representation

by Mohammad Asim Siddiqui

Subject: Countries > India

Networked Bollywood:How Star Power Globalized Hindi Cinema

Networked Bollywood (2024)

How Star Power Globalized Hindi Cinema

by Swapnil Rai

Subject: Countries > India

Postcolonial Bollywood and Muslim Identity:Production, Representation, and Reception

Postcolonial Bollywood and Muslim Identity (2024)

Production, Representation, and Reception

by Nadira Khatun

Subject: Countries > India

Centring Women in Bollywood Biopics:Empowerment and Agency in Contemporary Indian Cinema

Centring Women in Bollywood Biopics (2024)

Empowerment and Agency in Contemporary Indian Cinema

by Chandrava Chakravarty and Sneha Kar Chaudhuri

Subject: Countries > India

Beyond Bollywood:2000 Years of Dance in the Arts of South Asia, Southeast Asia, and the Himalayan Region

Beyond Bollywood (2022)

2000 Years of Dance in the Arts of South Asia, Southeast Asia, and the Himalayan Region

Dir. Forrest McGill

Subject: Countries > India

Sirens of Modernity:World Cinema via Bombay

Sirens of Modernity (2022)

World Cinema via Bombay

by Samhita Sunya

Subject: Countries > India

Shooting Terror:Terrorism in Hindi Films

Shooting Terror (2021)

Terrorism in Hindi Films

by Meenakshi Bharat

Subject: Countries > India

13685 books listed   •   (c)2024-2025 cinemabooks.info   •