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The Cinema of France
Edited by Phil Powrie
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Book Presentation:
An in-depth look at some of the best and most influential French films of all time, The Cinema of France contains 24 essays, each on an individual film. The book features works from the silent period and poetic realism, through the stylistic developments of the New Wave, and up to more contemporary challenging films, from directors such as Abel Gance, Jean Renoir, Marcel Carné, François Truffaut, Jean-Luc Godard, Alain Resnais, Agnès Varda and Luc Besson. Set in chronological order, The Cinema of France provides an illuminating history of this essential national cinema and includes in-depth studies of films such as Un Chien Andalou (1929), Les Vacances de Monsieur Hulot (1953), Le Samouraï (1967), Shoah (1985), Jean de Florette (1986), Les Visiteurs (1993) and La Haine (1995).
About the Author:
Phil Powrie is Professor of French Cultural Studies at the University of Newcastle upon Tyne. He has published widely on French film, including French Cinema in the 1980s: Nostalgia and the Crisis of Masculinity; Contemporary French Cinema: Continuity and Difference; and French Cinema: A Student's Guide.
See the publisher website: Wallflower Press
> From the same author:
When Music Takes Over in Film (2023)
Dir. Anna K. Windisch, Claus Tieber and Phil Powrie
Pierre Batcheff and Stardom in 1920s French Cinema (2009)
by Phil Powrie and Eric Rebillard
Subject: Actor > Pierre Batcheff
Composing for the Screen in Germany and the USSR (2007)
Cultural Politics and Propaganda
Dir. Robynn J. Stilwell and Phil Powrie
The Trouble with Men (2005)
Masculinities in European and Hollywood Cinema
Dir. Phil Powrie, Ann Davies and Bruce Babington
Subject: Sociology
> On a related topic:
Archiving the Past (2026)
Women's Film History in France, 1927–1978
Mixed Feelings in France (2025)
White Femininity and Métissage in French Multicultural Comedy
Nouvelles Femmes (2025)
Modern Women of the French New Wave and Their Enduring Contribution to Cinema
The Cinematic Influence (2024)
Interaction and Exchange Between the Cinemas of France and Japan
The Ethnographic Optic (2024)
Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Looking Beyond Neoliberalism (2024)
French and Francophone Belgian Cinema and the Crisis
Gender in French Banlieue Cinema (2024)
Intersectional Perspectives
Dir. Marzia Caporale, Claire Mouflard and Habib Zanzana
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