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Memory in World Cinema
Critical Essays
Sous la direction de Nancy J. Membrez
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Description de l'ouvrage:
Film itself is an artifact of memory. A blend of all the other fine arts, film portrays and preserves human memory, someone’s memory, faulty or not, dramatically or comically, in a documentary, feature film or short. Hollywood may dominate 80 percent of cinema production but it is not the only voice. World cinema is about those other voices. Drawn initially from presentations from a series of film conferences held at the University of Texas at San Antonio, this collection of essays covers multiple geographical, linguistic, and cultural areas worldwide, emphasizing the historical and cultural interpretation of films. Appendices list films focusing on memory and invite readers to explore the films and issues raised.
À propos de l'auteur :
Nancy J. Membrez is a professor of Spanish literature, culture, and Spanish and Latin American cinemas, as well as film production, at the University of Texas at San Antonio. She wrote the English subtitles for four Subiela films and produced three featurettes for the Kino Lorber DVD/Blu-ray of Man Facing Southeast. Her own film Portrait in Sepia Tone won Best Picture and Best Soundtrack at the International Filmmakers’ Film Festival in Kent, England, in 2008. She lives in San Antonio, Texas.
Voir le site internet de l'éditeur McFarland & Co
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> Sur un thème proche :
TCM Imports (2025)
Timeless Favorites and Hidden Gems of World Cinema
Screen Culture in the Global South (2024)
Cinema at the End of the World
Locating World Cinema (2020)
Interpretations of Film as Culture
World Cinema and the Essay Film (2019)
Transnational Perspectives on a Global Practice
Dir. Brenda Hollweg et Igor Krstic
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