MENU   

The Psycho Records

de

Type
Studies
Sujet
Mots Clés
psychology, sociology, trauma
Année d'édition
Editeur
Wallflower Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover216 pages
6 x 9 inches (15.5 x 23 cm)
ISBN
978-0-231-18112-9
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
?The Psycho Records follows the influence of the primal shower scene within subsequent slasher and splatter films. American soldiers returning from World War II were called "psychos" if they exhibited mental illness. Robert Bloch and Alfred Hitchcock turned the term into a catch-all phrase for a range of psychotic and psychopathic symptoms or dispositions. They transferred a war disorder to the American heartland. Drawing on his experience with German film, Hitchcock packed inside his shower stall the essence of schauer, the German cognate meaning "horror." Later serial horror film production has post-traumatically flashed back to Hitchcock's shower scene. In the end, though, this book argues the effect is therapeutically finite. This extensive case study summons the genealogical readings of philosopher and psychoanalyst Laurence Rickels. The book opens not with another reading of Hitchcock's 1960 film but with an evaluation of various updates to vampirism over the years. It concludes with a close look at the rise of demonic and infernal tendencies in horror movies since the 1990s and the problem of the psycho as our most uncanny double in close quarters.

À propos de l'auteur :
Laurence A. Rickels is professor in art and theory at the Academy of Fine Arts Karlsruhe. He is the author of Aberrations of Mourning (1988), The Case of California (2001), Nazi Psychoanalysis (2002), The Vampire Lectures (1999), The Devil Notebooks (2008), Ulrike Ottinger: The Autobiography of Art Cinema (2008), I Think I Am: Philip K. Dick (2010), and Germany: A Science Fiction (2015).

Revue de Presse:
The most interesting, challenging, and eclectic psychoanalytic theorist of our time... there is no writer who works the seams between academic and B-culture with Rickels' intelligence and connoisseurship. Sensitive Skin

Voir le

> Du même auteur :

Ulrike Ottinger:The Autobiography of Art Cinema

(2008)

The Autobiography of Art Cinema

de

Sujet : Director >

> Sur un thème proche :

Double Exposure:How Social Psychology Fell in Love with the Movies

(2022)

How Social Psychology Fell in Love with the Movies

de

Sujet :

Film Audiences:Personal Journeys with Film

(2022)

Personal Journeys with Film

de , et

Sujet :

The Cinema of Disorientation:Inviting Confusions

(2020)

Inviting Confusions

de

Sujet :

Warped Minds:Cinema and Psychopathology

(2014)

Cinema and Psychopathology

de

Sujet :

Washed in Blood:Male Sacrifice, Trauma, and the Cinema

(2011)

Male Sacrifice, Trauma, and the Cinema

de

Sujet :

A House Made of Light:Essays on the Art of Film

(2001)

Essays on the Art of Film

de

Sujet :

16168 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info