MENU   

Figures Traced in Light

On Cinematic Staging

by

Type
Studies
Subject
Keywords
movement, direction, Kenji Mizoguchi, Hou Hsiao-hsien, Louis Feuillade, Theo Angelopoulos
Publishing date
Publisher
University of California Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback327 pages
7 x 10 inches (18 x 25.5 cm)
ISBN-10
ISBN-13
0-520-24197-5
978-0-520-24197-8
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
A film tells its story not only through dialogue and actors' performances but also through the director's control of movement and shot design. Figures Traced in Light is a detailed consideration of how cinematic staging carries the story, expresses emotion, and beguiles the audience through pictorial composition. Ranging over the entire history of cinema, David Bordwell focuses on four filmmakers' unique contributions to the technique. In-depth chapters examine Louis Feuillade, master of the 1910s serial; Kenji Mizoguchi, the great Japanese director who worked from the 1920s to the 1950s; Theo Angelopoulos, who began his career as a political modernist in the late 1960s; and Hou Hsiao-hsien, the Taiwanese filmmaker who in the 1980s became the preeminent Asian director. For comparison, Bordwell draws on films by Howard Hawks, Michelangelo Antonioni, Yasujiro Ozu, Takeshi Kitano, and many other directors. Superbly illustrated with more than 500 frame enlargements and 16 color illustrations, Figures Traced in Light situates its close analysis of model sequences in the context of the technological, industrial, and cultural trends that shaped the directors' approaches to staging.

About the Author:
David Bordwell is Jacques Ledoux Professor of Film Studies and Hilldale Professor of Humanities at the University of Wisconsin-Madison. Among his books are Film History: An Introduction (with Kristin Thompson, 2002), Planet Hong Kong: Popular Cinema and the Art of Entertainment (2000), and On the History of Film Style (1997).

Press Reviews:
"Figures Traced in Light makes us feel as though we have received a long and elaborate postcard from a friend who has gone on an expedition to some terra icognita. This latest communication, dated 2005, is excellent. . . . The cleverness and agility of the comments never burden Bordwell’s respect for the filmic text."— Film Quarterly

"The choreography of cinematic creation is stunningly revealed in this learned and lively book. Finely historical with meticulous descriptions of directors, actors, and cameras in motion, Figures Traced In Light registers for the first time the abiding patterns of cinematic staging around the world and through the years. "—Janet Walker, author of Trauma Cinema

"David Bordwell is undoubtedly the most productive and influential film historian at work today. His magisterial Figures Traced in Light combines incisive close analyses of compelling filmic artifacts with a painstaking attention to all pertinent research materials. Eschewing any abstract notion of Film, he stresses the labor, thought, and creativity which goes into the staging of individual films."—Eric Rentschler, Harvard University

See the

> From the same author:

Film Art:An Introduction

(2023)

An Introduction

by , and

Subject:

Perplexing Plots:Popular Storytelling and the Poetics of Murder

(2023)

Popular Storytelling and the Poetics of Murder

by

Subject: Genre >

Reinventing Hollywood:How 1940s Filmmakers Changed Movie Storytelling

(2017)

How 1940s Filmmakers Changed Movie Storytelling

by

Subject:

The Rhapsodes:How 1940s Critics Changed American Film Culture

(2016)

How 1940s Critics Changed American Film Culture

by

Subject:

The Classical Hollywood Cinema:Film Style and Mode of Production to 1960

(2015)

Film Style and Mode of Production to 1960

by , and

Subject: Studio >

Minding Movies:Observations on the Art, Craft, and Business of Filmmaking

(2011)

Observations on the Art, Craft, and Business of Filmmaking

by and

Subject:

The Way Hollywood Tells It:Story and Style in Modern Movies

(2006)

Story and Style in Modern Movies

by

Subject: Technique >

Post-Theory:Reconstructing Film Studies

(1996)

Reconstructing Film Studies

Dir.

Subject:

Making Meaning:Inference and Rhetoric in the Interpretation of Cinema

(1989)

Inference and Rhetoric in the Interpretation of Cinema

by

Subject:

> On a related topic:

Downtime:The Twentieth Century in Slow Motion

(2025)

The Twentieth Century in Slow Motion

by

Subject:

The Lure of the Image:Epistemic Fantasies of the Moving Camera

(2021)

Epistemic Fantasies of the Moving Camera

by

Subject:

Gesture and Film:Signalling New Critical Perspectives

(2020)

Signalling New Critical Perspectives

Dir. and

Subject:

Deleuze's Cinema Books:Three Introductions to the Taxonomy of Images

(2016)

Three Introductions to the Taxonomy of Images

by

Subject:

Performance Projections:Film and the Body in Action

(2014)

Film and the Body in Action

by

Subject:

Cinema I:The Movement-Image

(2013)

The Movement-Image

by

Subject:

Cinematic Journeys:Film and Movement

(2010)

Film and Movement

by

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info