China into Film
Frames of Reference in Contemporary Chinese Cinema (livre en anglais)
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
Since 1984, Chinese cinema has been the most dramatic entry onto the international film scene. China into Film is the first book to look at contemporary Chinese cinema as a visual art and to illustrate the ways in which it has been shaped by centuries of Chinese tradition. Jerome Silbergeld looks at the significance of gender roles, the strategies of film-makers in coping with state censorship, the translation of novels into films, the continuing attachment of film-makers to melodrama, and cinematic critiques of Maoism and post-Maoist culture.
Abundantly illustrated with Chinese paintings as well as scenes from such internationally acclaimed films as Yellow Earth, Red Sorghum, Raise the Red Lantern and Farewell My Concubine, China into Film reveals a cinematic form at once excitingly new and deeply imbedded in traditional Chinese visual culture.
> Du même auteur :
Hitchcock with a Chinese Face (2004)
Cinematic Doubles, Oedipal Triangles, and China's Moral Voice
> Sur un thème proche :
Chinese Cinema (2023)
Identity, Power, and Globalization
Cinematic Landscapes (2000)
Observations on the Visual Arts and Cinema of China and Japan
Dir. Linda C. Ehrlich et David Desser
Romanian and Chinese Cinemas (2025)
Socialist Affect and Cultural Politics from Maoism to the New Waves
de Lucian Țion
Chinese Film in the Twenty-First Century (2025)
Movements, Genres, Intermedia
Dir. Corey Schultz et Cecília Mello
Cinematically Rendering Confucius (2025)
Chinese Film Philosophy and the Efficacious Screen-Play
Ecological And Environmental Turns (2025)
(Re)mapping China's Sociocultural Landscape through Ecocinema
de Shuqin Cui
Main Melody Films (2024)
Hong Kong Directors in Mainland China
Retour
