Film Technology in Socialist Chinese Cinema
by Zhaoyu Zhu

Average rating: ![]()
| 0 | rating | |
| 0 | rating | |
| 0 | rating | |
| 0 | rating |
Your rating: -
Book Presentation:
This book examines the history of film technology in Maoist China from the foundation of the People’s Republic of China (PRC) in 1949 to the beginning of economic reform in 1979 from the perspective of technology transfer.
Highlighting the trade exchange of technology equipment and scientific knowledge between China and the globe, this book explores the history of film technology in the socialist state, showing that the function of film technology under socialism is different from that of capitalist countries, which mainly use film technology to raise films’ commercial appeal and to generate profit. Instead, the use of film technology became a key link in the Chinese film industry to promote socialist propaganda and pedagogy.
In showing how the film industry in China became a state-led megamachine centralising the sustainable production and supply of filmmaking resources, this book will be a valuable resource for students and scholars of film studies, contemporary cinema, and Asian media and communication studies.
About the Author:
Zhaoyu Zhu is a teaching fellow in Communication and Cultural Studies at the University of Nottingham Ningbo, China. He received the Katherine Singer Kovacs Essay Award from the Society of Cinema and Media Studies in 2022. He writes widely about Chinese film history (particularly Chinese film technology), Chinese cinemas, and film festivals.
See the publisher website: Routledge
> From the same author:
The Cinema of Ann Hui (2026)
Aesthetics, Gender, and Displacement
Dir. Zhaoyu Zhu, Weiting Fan and Xueyan Cheng
> On a related topic:
Futures of Chinese Cinema (2009)
Technologies and Temporalities in Chinese Screen Cultures
Dir. Olivia Khoo and Sean Metzger
Romanian and Chinese Cinemas (2025)
Socialist Affect and Cultural Politics from Maoism to the New Waves
by Lucian Țion
Chinese Film in the Twenty-First Century (2025)
Movements, Genres, Intermedia
Dir. Corey Schultz and Cecília Mello