Marketing Modernity
Victorian Popular Shows and Early Cinema
de Joe Kember
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Description de l'ouvrage:
In this innovative study of early film exhibition, Joe Kember demonstrates that prior to the emergence of a specific discipline of screen acting and the arrival of picture personalities, the early cinema inherited its human dimensions from diverse earlier traditions of performance, from the magic lantern lecture to the fairground and variety theatre.
Uncovering new sources, including previously neglected films, industrial documentation, memoirs, trade and popular periodicals, the book reveals a rich landscape of popular entertainments during the mid to late nineteenth and early twentieth centuries, and charts the development of film institutions in relation to this complex industrial context.
Marketing Modernity re-evaluates the relationship between early film and the broader cultural conditions of industrial modernity. Investigating such diverse topics as performance practices in music hall and magic theatre, the celebrity of adventurer-cameramen, and the exhibition of everyday life on screen, Kember argues that early film shows offered new opportunities to recover a sense of intimacy – a quality that was popularly considered to be under threat in the rapidly modernising world of the 1890s and 1900s.
In this study of early film exhibition, Joe Kember demonstrates that prior to the emergence of a specific discipline of screen acting and the arrival of picture personalities, the early cinema inherited its human dimensions from diverse earlier traditions of performance, from the magic lantern lecture to the fairground and variety theatre.
À propos de l'auteur :
Joe Kember is a Senior Lecturer in Film at the University of Exeter. He has co-written Early Cinema 1895-1914: From Factory Gate to Film Factory (2004) with Simon Popple and writes extensively for journals relating to early cinema, including The Velvet Light Trap, Film Studies, Early Popular Visual Culture and Living Pictures.
Voir le site internet de l'éditeur University of Exeter Press
> Du même auteur :
Popular Visual Shows 1800–1914 (2025)
Picturegoing from Peep Shows to Film
de Joe Kember et John Plunkett
Sujet : History of Cinema
Early Cinema (2004)
From Factory Gate to Dream Factory
de Simon Popple et Joe Kember
Sujet : Silent Cinema
> Sur un thème proche :
For the Love of Pleasure (1998)
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Finding Birt Acres (2025)
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Screening Europe in Australasia (2024)
Transnational Silent Film Before and After the Rise of Hollywood
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