Screening Europe in Australasia

Transnational Silent Film Before and After the Rise of Hollywood

Ajouter à ma liste

de Julie K. Allen

Type

Studies

Sujet

Silent Cinema

Mots Clés

Europe, Australia, early cinema, Asia

Année d'édition

2024

Editeur

University of Exeter Press

Collection

Exeter Studies in Film History

Langue

anglais

Taille du livre

Format

Paperback • 484 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)

ISBN

978-1-80413-135-0

Appréciation

(0 vote)

X

Moyenne des votes :

0	vote	= On peut s'en passer
0	vote	= Bon livre
0	vote	= Excellent livre
0	vote	= Unique / une référence

Votre vote : -

Description de l'ouvrage:
Through a detailed study of the circulation of European silent film in Australasia in the early twentieth century, this book challenges the historical myopia that treats Hollywood films as having always dominated global film culture.

Before World War I, European silent feature films were ubiquitous in Australia and New Zealand, teaching Antipodean audiences about Continental cultures and familiarizing them with glamorous European stars, from Asta Nielsen to Emil Jannings. After the rise of Hollywood and then the shift to sound film, this history—and its implications for cross-cultural exchange—was lost. Julie K. Allen recovers that history, with its flamboyant participants, transnational currents, innovative genres, and geopolitical complications, bringing it all vividly to life.

Making ground-breaking use of digitized Australian and New Zealand newspapers, the author reconstructs the distribution and exhibition of European silent films in the Antipodes, along the way incorporating compelling biographical sketches of the ambitious pioneers of the Australasian cinema industry. She reveals the complexity and competitiveness of the early cinema market, in a region with high consumer demand and low domestic production, and frames the dramatic shift to almost exclusively American cinema programming during World War I, contextualizing the rise of the art film in the 1920s in competition with mainstream Hollywood productions.

À propos de l'auteur :
Julie K. Allen is Professor of Comparative Arts and Letters at Brigham Young University. She is the author of Icons of Danish Modernity: Georg Brandes & Asta Nielsen (2012) and Danish but Not Lutheran: The Impact of Mormonism on Danish Cultural Identity, 1850–1920 (2017), as well as numerous articles about European silent film, fairy tales, migration, and the construction of cultural identity.

Revue de Presse:
The author's arguments and conclusions carefully and convincingly draw on well-selected historical sources: archival documentation and the daily Australasian press.

Voir le site internet de l'éditeur University of Exeter Press