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Cinema's Alchemist

The Films of Peter Forgacs

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Type
Film Reviews
Sujet
Director
Mots Clés
Péter Forgács, Hungary, director
Année d'édition
Editeur
University of Minnesota Press
Collection
Visible Evidence
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback320 pages
7 x 10 inches (18 x 25.5 cm)
ISBN
978-0-8166-4875-7
Appréciation
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Description de l'ouvrage:
Péter Forgács, based in Budapest, is best known for his award-winning films built on home movies from the 1930s to the 1960s that document ordinary lives soon to intersect with offscreen historical events. Cinema’s Alchemist offers a sustained exploration of the imagination and skill with which Forgács reshapes such film footage, originally intended for private and personal viewing, into extraordinary films dedicated to remembering the past in ways that matter for our future.

Contributors: Whitney Davis, U of California, Berkeley; László F. Földényi, U of Theatre, Film and Television, Budapest; Marsha Kinder, U of Southern California; Tamás Korányi; Scott MacDonald, Hamilton College; Tyrus Miller, U of California, Santa Cruz; Roger Odin, U of Paris III Sorbonne–Nouvelle; Catherine Portuges, U of Massachusetts Amherst; Michael S. Roth, Wesleyan U; Kaja Silverman, U of Pennsylvania; Ernst van Alphen, Leiden U, the Netherlands; Malin Wahlberg, Stockholm U.

À propos des auteurs :
Bill Nichols is professor of cinema at San Francisco State University.
Michael Renov is vice dean of academic affairs and professor of critical studies in the School of Cinematic Arts at the University of Southern California.

Revue de Presse:
"Péter Forgács is indeed an alchemist, as this insightful compendium of essays proclaims; his extraordinary process transforms ordinary home movies into works of profound and sometimes mysterious beauty. This volume brilliantly articulates the qualities that make his work so distinctive and important, not only as acts of cinematic archaeology but as transformative art. Michael Renov’s concise appreciation of Forgács’ devastating reimagining of pre-Holocaust Jewish family movies in The Maelstrom, and Bill Nichols’s and Scott MacDonald’s revealing interviews with the filmmaker himself, are among the gems to be discovered." —Peter L. Stein, Executive Director, San Francisco Jewish Film Festival, and Peabody Award-winning documentary filmmaker

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