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Hungarian Cinema

From Coffee House to Multiplex

de

Type
Studies
Sujet
Countries
Mots Clés
Hungary, Eastern Europe
Année d'édition
Editeur
Wallflower Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover272 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN-10
ISBN-13
1-903364-80-9
978-1-903364-80-2
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Description de l'ouvrage:
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó (Hungarian Rhapsody, The Red and the White), István Szabó (Mephisto, Sunshine) and Márta Mészaros (Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.

À propos de l'auteur :
John Cunningham teaches Film Studies at Sheffield Hallam University and at the London Centre, University of Notre Dame, Indiana.

Revue de Presse:
Cunningham has given us a very important book. Film Quarterly

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