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Hungarian Cinema

From Coffee House to Multiplex

by

Type
Studies
Subject
Countries
Keywords
Hungary, Eastern Europe
Publishing date
Publisher
Wallflower Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover272 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN-10
ISBN-13
1-903364-80-9
978-1-903364-80-2
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Book Presentation:
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó (Hungarian Rhapsody, The Red and the White), István Szabó (Mephisto, Sunshine) and Márta Mészaros (Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.

About the Author:
John Cunningham teaches Film Studies at Sheffield Hallam University and at the London Centre, University of Notre Dame, Indiana.

Press Reviews:
Cunningham has given us a very important book. Film Quarterly

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