MENU   

Her Majestic Voice

South Indian Female Playback Singers and Stardom, 1945-1955

by

Type
Studies
Subject
Countries
Keywords
India, Hindi cinema, singer, women, music
Publishing date
Publisher
Oxford University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback244 pages
5 ¾ x 8 ¾ inches (14.5 x 22 cm)
ISBN
978-0-19-946356-5
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
The emergence of singers in Bombay, Madras, and other film industries of India as musical models to be admired and remembered coincided with the ascendancy of film songs as the dominant mode of entertainment. In the 1950s, many South Indian film songs belonged to playback singers such as R. Balasaraswati Devi, K. Jamuna Rani, Jikki Krishnaveni, P. Leela, and the singing actress P. Bhanumati, whose popularity and stardom flourished and remained independent of the "Bombay influence" and its specific vocal endorsements.

Based on personal interviews with the singers, extensive archival research on film practices, and close textual analysis, this work fills a gap in the history of Indian cinema by presenting a compelling account of the ways in which playback stardom developed under specific socio-cultural conditions and was closely connected with ideas of respectability, art, and artistic talent. An important work on early cinema and unfamiliar song-production practices, Her Majestic Voice chronicles a hitherto untold history of struggles, artistry, and rise to fame while analysing the historical role of playback singers in south India between 1945 and 1955. Indian (Telugu) Cinema who have been widely heard in specific regions of India. Despite their indispensable contribution to popular cinema, their histories have ironically remained uncharted in the written records of Indian cinema. This book aims to fill the gap by providing an empathetic view of a few of them, elaborating upon their life and work.

About the Author:
Kiranmayi Indraganti currently teaches film at Srishti Institute of Art, Design and Technology, Bangalore. She has been an independent filmmaker for over 15 years and has made 12 documentaries on social and development issues. She holds a Ph.D. in Film Studies from the University of Nottingham, an M.F.A. from York University, and an M.A. from the University of Madras.

See the

> On a related topic:

Centring Women in Bollywood Biopics:Empowerment and Agency in Contemporary Indian Cinema

(2024)

Empowerment and Agency in Contemporary Indian Cinema

by and

Subject: Countries >

Bollywood's New Woman:Liberalization, Liberation, and Contested Bodies

(2021)

Liberalization, Liberation, and Contested Bodies

Dir. and

Subject: Countries >

Changemakers:Twenty women transforming Bollywood behind the scenes

(2018)

Twenty women transforming Bollywood behind the scenes

by

Subject: Countries >

Wanted Cultured Ladies Only!:Female Stardom and Cinema in India, 1930s-1950s

(2009)

Female Stardom and Cinema in India, 1930s-1950s

by

Subject: Countries >

Bollypolitics:Popular Hindi Cinema and Hindutva

(2026)

Popular Hindi Cinema and Hindutva

by

Subject: Countries >

Muslim Identity in Hindi Cinema:Poetics and Politics of Genre and Representation

(2025)

Poetics and Politics of Genre and Representation

by

Subject: Countries >

Networked Bollywood:How Star Power Globalized Hindi Cinema

(2024)

How Star Power Globalized Hindi Cinema

by

Subject: Countries >

Postcolonial Bollywood and Muslim Identity:Production, Representation, and Reception

(2024)

Production, Representation, and Reception

by

Subject: Countries >

Sirens of Modernity:World Cinema via Bombay

(2022)

World Cinema via Bombay

by

Subject: Countries >

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info