MENU   

A Companion to Contemporary French Cinema

by , , and

Type
Studies
Subject
Countries
Keywords
French cinema, 1990s, 2000s
Publishing date
Publisher
Wiley-Blackwell
Collection
Wiley Blackwell Companions to National Cinemas
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover712 pages
7 x 9 ¾ inches (18 x 24.5 cm)
ISBN
978-1-4443-3899-7
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day.

Features original contributions from top film scholars relating to all aspects of contemporary French cinema
Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters
Utilizes groundbreaking research on cinema beyond the fiction film and the cinema–theater such as documentary, amateur, and digital filmmaking
Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies
Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time

See the

> From the same authors:

Raymond Bellour:Cinema and the Moving Image

(2018)

Cinema and the Moving Image

by and

Subject:

Coming-of-Age Cinema in New Zealand:Genre, Gender and Adaptation

(2017)

Genre, Gender and Adaptation

by

Subject: Countries >

The New Woman's Film:Femme-centric Movies for Smart Chicks

(2017)

Femme-centric Movies for Smart Chicks

by

Subject:

Speaking Pictures:Neuropsychoanalysis and Authorship in Film and Literature

(2016)

Neuropsychoanalysis and Authorship in Film and Literature

by

Subject:

Feminism at the Movies:Understanding Gender in Contemporary Popular Cinema

(2011)

Understanding Gender in Contemporary Popular Cinema

Dir. and

Subject:

Jane Campion:Authorship and Personal Cinema

(2011)

Authorship and Personal Cinema

by

Subject: Director >

Neo-Feminist Cinema:Girly Films, Chick Flicks, and Consumer Culture

(2010)

Girly Films, Chick Flicks, and Consumer Culture

by

Subject:

Jane Campion:Cinema, Nation, Identity

(2009)

Cinema, Nation, Identity

Dir. , and

Subject: Director >

The French New Wave:an artistic school

(2002)

an artistic school

by

Subject: Countries >

> On a related topic:

Brutal Intimacy:Analyzing Contemporary French Cinema

(2011)

Analyzing Contemporary French Cinema

by

Subject: Countries >

Berlin Replayed:Cinema and Urban Nostalgia in the Postwall Era

(2015)

Cinema and Urban Nostalgia in the Postwall Era

by

Subject: Countries >

Postwall German Cinema:History, Film History and Cinephilia

(2015)

History, Film History and Cinephilia

by

Subject: Countries >

Remaking Brazil:Contested National Identities in Contemporary Brazilian Cinema

(2012)

Contested National Identities in Contemporary Brazilian Cinema

by

Subject: Countries >

New Korean Cinema:Breaking the Waves

(2010)

Breaking the Waves

by

Subject: Countries >

Scotland:Global Cinema:Genres, Modes and Identities

(2009)

Global Cinema:Genres, Modes and Identities

by

Subject: Countries >

Contemporary British Cinema:From Heritage to Horror

(2008)

From Heritage to Horror

by

Subject: Countries >

16001 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info