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The Cinema of Converging Lives

Complex Films and Intersecting Stories in an Isolated World

by Lucy Fischer

Type
Essays
Subject
Sociology
Keywords
characters, sociology
Publishing date
2025 (October 14, 2025)
Publisher
Oxford University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 232 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-0-19-776866-2
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Book Presentation:
What happens when strangers meet in film? The Cinema of Converging Lives explores a group of films within an important category of complex film, a genre that critics have hailed as proliferating worldwide in the 1980s and 1990s and continuing today. Lucy Fischer examines a recurring trope within this category which portrays disparate characters, mostly unacquainted and introduced separately, who eventually and often unexpectedly cross paths.
The book focuses on underlying causes in each movie that drive the intersection of characters forward. It looks to 23 films by a diverse and international group of directors to consider how chance, coincidence, accident, history, geography, and the supernatural, as well as formal structures like metafiction and the circulation of possessions, drive these narratives. The book also highlights the irony of our clear interest in stories of converging lives on screen in an age of increasing isolation and loneliness. Finally, it offers a new look at complex film as a genre, including a discussion of the wide variety of plot patterns beyond those defined in this book. Providing in-depth case studies of this vital form of contemporary movie, a new conceptual approach to the investigation of the complex film, a summary of prior academic work on the topic, and important socio-cultural insight into the opposing notions of convergence and isolation, The Cinema of Converging Lives will appeal to students and experienced film scholars alike.

About the Author:
Lucy Fischer is a Distinguished Professor, Emerita, of Film and Media Studies at the University of Pittsburgh. She is the author of fifteen books, including Cinema by Design: Art Nouveau, Modernism, and Film History (2017), Cinemagritte: René Magritte Within the Frame of Film History, Theory and Practice (2019), Emotion Pictures: Cinema and Feelings (2023), and Recollecting Collecting: Film and Media Perspectives (2023).

See the publisher website: Oxford University Press

> From the same author:

Emotion Pictures:Movies and Feelings

Emotion Pictures (2024)

Movies and Feelings

by Lucy Fischer

Subject: Sociology

Recollecting Collecting:A Film and Media Perspective

Recollecting Collecting (2023)

A Film and Media Perspective

Dir. Lucy Fischer

Subject: Economics

Casting a Giant Shadow:The Transnational Shaping of Israeli Cinema

Casting a Giant Shadow (2021)

The Transnational Shaping of Israeli Cinema

Dir. Lucy Fischer and Dan Chyutin

Subject: Countries > Israel

Sunrise:A Song of Two Humans

Sunrise (2020)

A Song of Two Humans

by Lucy Fischer

Subject: One Film > Sunrise: A Song of Two Humans

Cinemagritte:René Magritte Within the Frame of Film History, Theory, and Practice

Cinemagritte (2019)

René Magritte Within the Frame of Film History, Theory, and Practice

by Lucy Fischer

Subject: Technique > Aesthetics

Cinema by Design:Art Nouveau, Modernism, and Film History

Cinema by Design (2017)

Art Nouveau, Modernism, and Film History

by Lucy Fischer

Subject: Technique > Aesthetics

Shot/Countershot:Film Tradition and Women's Cinema

Shot/Countershot (2014)

Film Tradition and Women's Cinema

by Lucy Fischer

Subject: Sociology

Cinematernity:Film, Motherhood, Genre

Cinematernity (2014)

Film, Motherhood, Genre

by Lucy Fischer

Subject: Sociology

Body Double:The Author Incarnate in the Cinema

Body Double (2013)

The Author Incarnate in the Cinema

by Lucy Fischer

Subject: Theory

American Cinema of the 1920s:Themes and Variations

American Cinema of the 1920s (2009)

Themes and Variations

Dir. Lucy Fischer

Subject: Silent Cinema

Designing Women:Cinema, Art Deco, and the Female Form

Designing Women (2003)

Cinema, Art Deco, and the Female Form

by Lucy Fischer

Subject: Technique > Set Design

Sunrise:A Song of Two Humans

Sunrise (1998)

A Song of Two Humans

by Lucy Fischer

Subject: One Film > Sunrise: A Song of Two Humans

Imitation of Life:Douglas Sirk, Director

Imitation of Life (1991)

Douglas Sirk, Director

Dir. Lucy Fischer

Subject: One Film > Imitation of Life

> On a related topic:

Animated Film and Disability:Cripping Spectatorship

Animated Film and Disability (2023)

Cripping Spectatorship

by Slava Greenberg

Subject: Sociology

Fade to Gray:Aging in American Cinema

Fade to Gray (2016)

Aging in American Cinema

by Timothy Shary and Nancy McVittie

Subject: Sociology

Home Front Heroes:The Rise of a New Hollywood Archetype, 1988–1999

Home Front Heroes (2013)

The Rise of a New Hollywood Archetype, 1988–1999

by Elizabeth Abele

Subject: Sociology

The Silvering Screen:Old Age and Disability in Cinema

The Silvering Screen (2011)

Old Age and Disability in Cinema

by Sally Chivers

Subject: Sociology

Cop Knowledge:Police Power and Cultural Narrative in Twentieth-Century America

Cop Knowledge (2000)

Police Power and Cultural Narrative in Twentieth-Century America

by Christopher P. Wilson

Subject: Sociology

Beyond the Stars 4:Locales in American Popular Film

Beyond the Stars 4 (1993)

Locales in American Popular Film

Dir. Paul Loukides and Linda K. Fuller

Subject: Sociology

Beyond the Stars 1:Stock Characters in American Popular Film

Beyond the Stars 1 (1990)

Stock Characters in American Popular Film

Dir. Paul Loukides and Linda K. Fuller

Subject: Sociology

Interactional Approach to Cinematic Discourse:How Do Woody Allen's Characters Talk?

Interactional Approach to Cinematic Discourse (2022)

How Do Woody Allen's Characters Talk?

by Neda Chepinchikj

Subject: Director > Woody Allen

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