MUBI and the Curation Model of Video on Demand
by Mattias Frey
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Subscription video on demand (SVOD) represents the fastest-growing means to consume films and series. Although market leaders Netflix and Amazon Prime have received much scholarly attention for the way that they use algorithms and big data to connect users to content, there is another significant, relatively unexamined model: curation-style services such as BFI Player, IFC Unlimited, the Criterion Channel or MUBI ― the latter, which forms the focus of this book, claims to be the world's most subscribed independent video on demand service. These platforms take advantage of common anxieties about algorithms, cultural surplus and filter bubbles to promote discovery, human-generated recommendations and quality over quantity of content. Deploying an original, holistic methodology that includes analysis of technological affordances, marketing rhetoric, business models, interviews with company executives and a qualiquantitative audience study, this book critically analyses MUBI as a way to understand this particular mode of content aggregation, cultural recommendation, choice architecture and community building. Curation services address a real, but decidedly circumscribed gap in the market. Ultimately, MUBI offers film, media and business scholars an instructive example of the fate of art cinema and media diversity in a digital culture increasingly dominated by a few giant tech companies.
About the Author:
Mattias Frey is Professor of Film, Media and Culture at the University of Kent, UK. He is the author or editor of eight books, including The Permanent Crisis of Film Criticism (2015); Film Criticism in the Digital Age (co-edited with Cecilia Sayad, 2015); and Netflix Recommends: Algorithms, Film Choice, and the History of Taste (2021).
See the publisher website: Palgrave MacMillan
> From the same author:
Netflix Recommends (2021)
Algorithms, Film Choice, and the History of Taste
by Mattias Frey
Subject: Economics
Cine-Ethics (2016)
Ethical Dimensions of Film Theory, Practice, and Spectatorship
Dir. Jinhee Choi and Mattias Frey
Subject: Theory
The Permanent Crisis of Film Criticism (2015)
The Anxiety of Authority
by Mattias Frey
Subject: Film Analysis
> On a related topic:
Networks of Entertainment (2008)
Early Film Distribution 1895-1915
Dir. Frank Kessler
Subject: Silent Cinema
European Cinema in the Streaming Era (2024)
Policy, Platforms, and Production
Dir. Christopher Meir and Roderik Smits
Subject: Economics
Triaging the Streaming Wars (2024)
Dir. Robert Alan Brookey, Jason Phillips and Tim Pollard
Subject: Economics
World Cinema On Demand (2023)
Global Film Cultures in the Era of Online Distribution
Dir. Stefano Baschiera
Subject: Economics
The Age of Netflix (2017)
Critical Essays on Streaming Media, Digital Delivery and Instant Access
Dir. Cory Barker and Myc Wiatrowski
Subject: Economics
Playing the Percentages (2024)
How Film Distribution Made the Hollywood Studio System
by Derek Long
Subject: Economics
John Hamrick's Blue Mouse Cinemas (2024)
Independent Exhibition and Influence in the Studio Era
Subject: Economics
Cinephile Film Catalogues Grappling with Web Technology (2024)
Dir. Martin Bonnard
(in English and French)
Subject: Economics