MENU   

Great Expectations

British Postwar Cinema 1945-1960

Sous la direction de

Type
Studies
Sujet
Countries
Mots Clés
Great Britain, 1940s, 1950s
Année d'édition
Editeur
Editions de l'Oeil
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover256 pages
7 x 8 ¾ inches (18 x 22 cm)
ISBN
978-2-35137-390-3
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
It is not an inflated statement to say that among Western European national cinemas, British cinema of the studio era remains one of the least explored internationally. A cinema that was once critically celebrated, consistently presented at international film festivals, and widely distributed – from the best cinemas in Paris to Tehran – epitomised a “golden age” that weakened and fell out of fashion with the arrival of later movements, such as the British New Wave. While recent academic studies of the period in question have been astonishingly rich, the actual act of screening these films has been rare and far between.

This book, accompanying a British postwar cinema retrospective at the Locarno Film Festival, features nearly forty essays on the distinctive voices of British cinema, mapping the phoenix-like rise of a nation from the ashes of the Second World War and following its bumpy road to national reconstruction and cinematic innovation.

Great Expectations focuses on British cinema’s studio years, its major classics, as well as the rich tradition of genre films. In addition to essays on the role of women behind the camera, children in front of it, the critical reception of the films, and British cinema’s exchanges with Hollywood, this book features vivid critical profiles of thirty major directors from a period whose diversity and range of styles, subjects, and talents remain unmatched in British cinema history.

Voir le

> Du même auteur :

The Lady with the Torch:Columbia Pictures 1929-1959

(2024)

Columbia Pictures 1929-1959

Dir.

Sujet : Studio >

> Sur un thème proche :

A Mirror for England:British Movies from Austerity to Affluence

(2011)

British Movies from Austerity to Affluence

de

Sujet : Countries >

British Film Music:Musical Traditions in British Cinema, 1930s-1950s

(2020)

Musical Traditions in British Cinema, 1930s-1950s

de

Sujet : Technique >

The British Trauma Film:Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War

(2024)

Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War

de

Sujet : Countries >

Pinewood:Anatomy of a Film Studio in Post-war Britain

(2024)

Anatomy of a Film Studio in Post-war Britain

de

Sujet : Countries >

Realism and Tinsel:Cinema and Society in Britain 1939-48

(2016)

Cinema and Society in Britain 1939-48

de

Sujet : Countries >

Blackout:Reinventing Women for Wartime British Cinema

(2014)

Reinventing Women for Wartime British Cinema

de

Sujet : Countries >

Projecting Britain at War:The National Character in British World War II Films

(2014)

The National Character in British World War II Films

de

Sujet : Countries >

Destination London:German-Speaking Emigrés and British Cinema, 1925-1950

(2012)

German-Speaking Emigrés and British Cinema, 1925-1950

Dir. et

Sujet : Countries >

17082 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info