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British Cinema of the 1950s

The Decline of Deference

de Sue Harper et Vincent Porter

Type
Studies
Sujet
CountriesGreat Britain
Mots Clés
Great Britain, 1950s
Année d'édition
2007
Editeur
Oxford University Press
1ere édition
2003
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 420 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-0-19-815935-3
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Description de l'ouvrage:
In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social,
cultural, industrial, and economic changes on 1950s British cinema.

Voir le site internet de l'éditeur Oxford University Press

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