Beyond a Joke

Parody in English Film and Television Comedy

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by Neil Archer

Type

Essays

Subject

Countries > Great Britain

Keywords

Great Britain, humor

Publishing date

2021

Publisher

Bloomsbury Academic

Collection

Cinema and Society

1st publishing

2016

Language

English

Relative size

Physical desc.

Paperback • 258 pages
5 ½ x 8 ½ inches (14 x 21.5 cm)

ISBN

978-1-350-24244-9

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Book Presentation:
At the opening ceremony for the London 2012 Olympics, a global audience of nearly one billion viewers were treated to the unprecedented sight of James Bond meeting Queen Elizabeth II. Shortly after, the ‘Queen’ hurled herself out of a helicopter, her Union Jack parachute guiding her down to the Olympic Stadium. What it is about moments such as these that define both a particular idea of Britishness and a particular type of British film comedy? How has British cinema exploited parody as a means of negotiating its sense of identity? How does this function within a globalized marketplace and in the face of dominant Hollywood cinema? Beyond a Joke explores the myriad ways British film culture has used forms of parody, from the 1960s to the present day. It provides a contextual and textual analysis of a range of works that, while popular, have only rarely been the subject of serious academic attention – from Morecambe and Wise to Shaun of the Dead to the London 2012 Olympics’ opening ceremony. Combining the methodologies both of film history and film theory, Beyond a Joke locates parody within specific industrial and cultural moments, while also looking in detail at the aesthetics of parody as a mode. Ultimately, such works are shown to be a form of culturally specific film or televisual product for exporting to the global market, in which ‘Britishness’, shaped in self-mocking and ironic terms, becomes the selling point. Written in an accessible style and illustrated throughout with a diverse range of examples, Beyond a Joke is the first book to explore parody within a specifically British context and makes an invaluable contribution to the scholarship on both British and global film culture.

About the Author:
Neil Archer is Senior Lecturer in Film at Keele University. He has published widely on British and other European film and television, as well as on Hollywood cinema, and is the author of seven books, including Cinema and Brexit: The Politics of Popular English Film (Bloomsbury, 2021).

See the publisher website: Bloomsbury Academic