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Screenwriting

Creative Labor and Professional Practice

by

Type
Studies
Subject
Technique
Keywords
scriptwriting
Publishing date
Publisher
Routledge
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback164 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-415-64267-5
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Book Presentation:

Screenwriting: Creative Labor and Professional Practice
analyzes the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters.

Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed.

Chapters explore areas including:


Screenwriting histories and myths of the profession


Screenwriting as creative labor


Screenwriters’ working lives


Screenwriting work and the how-to genre


Screenwriting work and inequalities

Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as valuable interviews with working screenwriters, this book presents a highly original and multi-faceted study of screenwriting as creative labor and professional practice.

The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9780203080771

About the Author:
Bridget Conor is a lecturer in the Department of Culture, Media and Creative Industries at King¹s College London and previously taught at Goldsmiths College and AUT University in Auckland. She has published in the areas of screenwriting research and creative labor studies and her previous work focused on the production of ‘The Lord of the Rings’ trilogy in New Zealand.

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