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Hindi Cinema

Repeating the Subject

by

Type
Studies
Subject
Countries > 
Keywords
India, Hindi cinema
Publishing date
Publisher
Routledge
Collection
Intersections: Colonial and Postcolonial Histories
1st publishing
2012
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 232 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-138-11935-2
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Book Presentation:
Hindi Cinema is full of instances of repetition of themes, narratives, plots and characters. By looking at 60 years of Hindi cinema, this book focuses on the phenomenon as a crucial thematic and formal code that is problematic when representing the national and cinematic subject. It reflects on the cinema as motivated by an ongoing crisis of self-formation in modern India.

The book looks at how cinema presents liminal and counter-modern identities emerging within repeated modern attempts to re-enact traumatic national events so as to redeem the past and restore a normative structure to happenings. Establishing structure and event as paradigmatic poles of a historical and anthropological spectrum for the individual in society, the book goes on to discuss cinematic portrayals of violence, gender embodiment, religion, economic transformations and new globalised Indianness as events and sites of liminality disrupting structural aspirations.

After revealing the impossibility of accurate representation of incommensurable and liminal subjects within the historiography of the nation-state, the book highlights how Hindi cinema as an ongoing engagement with the nation-state as a site of eventfulness draws attention to the problematic nature of the thematic of nation. It is a useful study for academics of Film Studies and South Asian Culture.

About the Author:
Nandini Bhattacharya is Professor of English and affiliate of Film, Women’s Studies and Africana Studies programs at Texas A&M University, USA. Her interests include South Asia, Postcoloniality, Cinema, Gender and Transnationalism.

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