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Spaces of the Cinematic Home

Behind the Screen Door

Edited by Eleanor Andrews, Stella Hockenhull and Fran Pheasant-Kelly

Type
Studies
Subject
Sociology
Keywords
sociology
Publishing date
2017
Publisher
Routledge
Collection
Routledge Advances in Film Studies
1st publishing
2015
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 256 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-8153-9638-3
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Book Presentation:
This book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit to enhance meanings and pleasures within film. Rather than simply examining the representation of the house as national symbol, auteur trait, or in terms of genre, contributors study various rooms in the domestic sphere from an assortment of time periods and from a diversity of national cinemas—from interior spaces in ancient Rome to the Chinese kitchen, from the animated house to the metaphor of the armchair in film noir.

About the authors:
Eleanor Andrews is Senior Lecturer in Italian and Course Leader for Film Studies at the University of Wolverhampton, UK. Stella Hockenhull is Reader in Film and Television Studies at the University of Wolverhampton, UK. Fran Pheasant-Kelly is MA Course Leader and Reader in Film and Television Studies at the University of Wolverhampton, UK.

See the publisher website: Routledge

> From the same authors:

Tim Burton's Bodies:Gothic, Animated, Creaturely and Corporeal

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Place, Setting, Perspective:Narrative Space in the Films of Nanni Moretti

Place, Setting, Perspective (2016)

Narrative Space in the Films of Nanni Moretti

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