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Fear Before the Fall

de

Type
Studies
Sujet
Countries
Mots Clés
Soviet cinema, horror, 1980s
Année d'édition
Editeur
Zero Books
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback144 pages
5 ½ x 8 ½ inches (14 x 21.5 cm)
ISBN
978-1-78904-979-4
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Description de l'ouvrage:
Alienation, generational tensions, rampant nationalism and the pervasiveness of atomic danger are all topics that haunted late Soviet citizens, and those fears are reflected in the films meant to represent their horror genre. In the late 1970s and throughout the 1980s, production of horror movies from independent filmmakers and Hollywood skyrocketed. It was a time of intense Cold War conflict and a resurgence of conservative ideals. It's not difficult to imagine that the ascent of horror occurred in conjunction with an increasingly scary and alienated world, and horror reflected those freights in the form of nuclear holocausts, toxic waste pollution, alien clown invaders and undead houseguests. Everyone was at risk - teenagers especially - because their present and future remained most uncertain. If we can agree that such feelings underpinned American viewers in the age of Reagan and neo-liberalism, then what about late socialism? How did film makers depict Soviet society's fears?

À propos de l'auteur :
Alexander Herbert is a PhD candidate in Soviet History at Brandeis University, specializing in environmental activism and the history of technology leading up to collapse. He lives in East Providence, RI.

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