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Soviet Spectatorship

Observing the Body in Physical and Visual Culture

de

Type
Studies
Sujet
Countries
Mots Clés
Soviet cinema, body
Année d'édition
Editeur
Bloomsbury Academic
Collection
KINO - The Russian and Soviet Cinema
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover264 pages
5 ¾ x 8 ¾ inches (14.5 x 22 cm)
ISBN
978-1-350-41116-6
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Description de l'ouvrage:
What distinguished the Soviet 'look'? How did Soviet thinkers and artists reimagine the relationship between observer and observed?

Soviet Spectatorship answers these questions through an in depth exploration of Soviet physical culture and its on screen representations from the end of the Civil War to the eve of the Second World War. Samuel Goff identifies the three fundamental 'structures of looking' - surveillance, aesthetics, and spectatorship - that shaped representations of the embodied Soviet subject.

Close readings of understudied films such as Happy Finish (1934), The Laurels of Miss Ellen Gray (1935) and A Strict Young Man (1936), are contextualised through a theoretical analysis of the relationship between subjectivity and the body. In doing so, Goff traces the evolution of a specific Soviet 'look', examining perspectives on Soviet aesthetics and theories of body and mind, uncovering continuities within Soviet visual cultures in a period usually understood in terms of discontinuity and rupture.

À propos de l'auteur :
Birgit Beumers, PhD, is a senior lecturer in the Department of Russian Studies at the University of Bristol, Bristol, England. She is editor of the online journal KinoKultura, which is devoted to contemporary Russian film.

Revue de Presse:
"Soviet Spectatorship brilliantly combines subtle and sophisticated analysis of evolving early Soviet understandings of psychology, socialised communality, physical culture, spectatorship, beauty, gender and violence with bracingly original readings of the work of key painters and film makers of the period." ―Julian Graffy, University College London, UK

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