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The Routledge Companion to European Cinema

Edited by and

Type
Studies
Subject
Countries
Keywords
Europe
Publishing date
Publisher
Routledge
Collection
Routledge Media and Cultural Studies Companions
1st publishing
2021
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback484 pages
6 ¾ x 9 ½ inches (17 x 24 cm)
ISBN
978-1-032-13671-4
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Book Presentation:
Presenting new and diverse scholarship, this wide-ranging collection of 43 original chapters asks what European cinema tells us about Europe.

The book engages with European cinema that attends to questions of European colonial, racialized and gendered power; seeks to decentre Europe itself (not merely its putative centres); and interrogate Europe’s various conceptualizations from a variety of viewpoints. It explores the broad, complex and heterogeneous community/ies produced in and by European films, taking in Kurdish, Hollywood and Singapore cinema as comfortably as the cinema of Poland, Spanish colonial films or the European gangster genre. Chapters cover numerous topics, including individual films, film movements, filmmakers, stars, scholarship, representations and identities, audiences, production practices, genres and more, all analysed in their context(s) so as to construct an image of Europe as it emerges from Europe’s film corpus.

The Companion opens the study of European cinema to a broad readership and is ideal for students and scholars in film, European studies, queer studies and cultural studies, as well as historians with an interest in audio-visual culture, nationalism and transnationalism, and those working in language-based area studies.

About the authors:
Gábor Gergely is Senior Lecturer in Film Studies at the University of Lincoln, UK. He has published on Hungarian, French and Italian cinema, on European actors in Hollywood and he is the editor of the Stardom special issue of Studies in Eastern European Cinema.

Susan Hayward is Emerita Professor of Cinema Studies at Exeter University, UK. She is the author of several books on French cinema and Cinema Studies: The Key Concepts (now in its sixth edition).

See the

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(2022)

Uses of the Foreign Star

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Cinema Studies:The Key Concepts

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The Key Concepts

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Film Ecology:Defending the Biosphere - Doughnut Economics and Film Theory and Practice

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Defending the Biosphere - Doughnut Economics and Film Theory and Practice

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Ecology Documentaries:Their Function and Value Seen Through the Lens of Doughnut Economics

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Their Function and Value Seen Through the Lens of Doughnut Economics

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Hungarian Film 1929 - 1947:National Identity, Anti-Semitism and Popular Cinema

(2017)

National Identity, Anti-Semitism and Popular Cinema

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Foreign Devils:Exile and Host Nation in Hollywood's Golden Age

(2013)

Exile and Host Nation in Hollywood's Golden Age

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French Costume Drama of the 1950s:Fashioning Politics in Film

(2010)

Fashioning Politics in Film

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The Films of Luc Besson:Master of Spectacle

(2007)

Master of Spectacle

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French Film:Texts and Contexts

(1999)

Texts and Contexts

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