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World Cinema

Critical Approaches

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Type
Studies
Sujet
Countries
Mots Clés
world cinema
Année d'édition
Editeur
Oxford University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback256 pages
7 ½ x 9 ¾ inches (19 x 24.5 cm)
ISBN-10
ISBN-13
0-19-874282-7
978-0-19-874282-1
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Description de l'ouvrage:
• international coverage ranges from pre-1930s Europe to contemporary 'Bollywood' musicals
• all subject chapters specially commissioned
• top range of contributors from North America, Europe, Australia and Asia
• contains critical readings of individual films

'The contributors supply skilful overviews of the major critical approaches' Sight and Sound May 1998

international coverage ranges from pre-1930s Europe to contemporary 'Bollywood' musicals

first class range of contributors from North America, Europe, Australia and Asia

many chapters specially commissioned

emphasis throughout on critical concepts, methods and debates

learning aids include chapter summaries, critiques of individual films and further reading

This text is an ideal course companion for undergraduate students studying film, media studies, cultural studies and literary theory. It is especially relevant to 2nd and 3rd year students taking options in World cinema, European cinema, and the impact of changing technologies.

À propos des auteurs :
Edited by John Hill, Senior Lecturer, Department of Media and Performance Studies, University of Ulster at Coleraine, and Pamela Church Gibson, Senior Lecturer in Contextual and Cultural Studies, London Institute Advisory Board: Richard Dyer, Department of Film Studies, University of Warwick, E. Ann Kaplan, Department of English at Stony Brook, New York, and Paul Willemen, Napier University, Edinburgh

Revue de Presse:
'..these volumes promise something more directed...the prime determinant behind World Cinema's coverage seems to be anything that isn't American (and in 200-odd pages this is a pretty tall order).' Sight and Sound August 2000 (Page 32 Film criticism) -

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