Animating the Science Fiction Imagination
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Long before flying saucers, robot monsters, and alien menaces invaded our movie screens in the 1950s, there was already a significant but overlooked body of cinematic science fiction. Through analyses of early twentieth-century animations, comic strips, and advertising, Animating the Science Fiction Imagination unearths a significant body of cartoon science fiction from the pre-World War II era that appeared at approximately the same time the genre was itself struggling to find an identity, an audience, and even a name. In this book, author J.P. Telotte argues that these films helped sediment the genre's attitudes and motifs into a popular culture that found many of those ideas unsettling, even threatening. By binding those ideas into funny and entertaining narratives, these cartoons also made them both familiar and non-threatening, clearing a space for visions of the future, of other worlds, and of change that could be readily embraced in the post-war period.
About the Author:
J. P. Telotte is Professor of film and media studies at Georgia Institute of Technology, co-editor of the journal Post Script, and author of many publications, most recently Robot Ecology and the Science Fiction Film (Routledge, 2016).
See the publisher website: Oxford University Press
> From the same author:
The Oxford Handbook of New Science Fiction Cinemas (2023)
Subject: Genre > Science Fiction
Science Fiction Double Feature (2021)
The Science Fiction Film as Cult Text
Dir. J. P. Telotte and Gerald Duchovnay
Subject: Genre > Science Fiction
Movies, Modernism, and the Science Fiction Pulps (2019)
Subject: Genre > Science Fiction
Science Fiction Film, Television, and Adaptation (2013)
Across the Screens
Dir. J. P. Telotte and Gerald Duchovnay
Subject: Genre > Science Fiction
Voices in the Dark (1988)
The Narrative Patterns of Film Noir
> On a related topic:
Robot Ghosts and Wired Dreams (2007)
Japanese Science Fiction from Origins to Anime
Dir. Christopher Bolton, Istvan Csicsery-Ronay Jr. and Takayuki Tatsumi
Feminist Posthumanism in Contemporary Science Fiction Film and Media (2025)
From Annihilation to High Life and Beyond
Dir. Julia A. Empey
Subject: Genre > Science Fiction
Amazing Worlds of Science Fiction and Science Fact (2025)
by Keith Cooper
Subject: Genre > Science Fiction
Societies in Space (2025)
Essays on the Civilized Frontier in Film and Television
Dir. Gary Westfahl
Subject: Genre > Science Fiction
Robots That Love (2025)
Artificial Amours in Myth, Folklore, Literature, Popular Culture and the Real World
Subject: Genre > Science Fiction
The Science Fiction Film in Contemporary Hollywood (2025)
A Social Semiotics of Bodies and Worlds
Subject: Genre > Science Fiction
The Future Was Now (2025)
Madmen, Mavericks, and the Epic Sci-Fi Summer of 1982
Subject: Genre > Science Fiction
Science Fiction against the Margins (2024)
Cinematic Futures, Global Imaginaries
Dir. Chon A. Noriega, Maya Montañez Smukler and Nicole Ucedo
Subject: Genre > Science Fiction
Using Declarative Mapping Sentences in Psychological Research (2024)
Applying Facet Theory in Multi-Componential Critical Analyses of Female Representation in Science Fiction Film and TV
by Paul M.W. Hackett and Chenwei Li
Subject: Genre > Science Fiction
Fantastic Planets, Forbidden Zones, and Lost Continents (2024)
The 100 Greatest Science-fiction Films
Subject: Genre > Science Fiction