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Robot Ecology and the Science Fiction Film
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Book Presentation:
This book offers the first specific application in film studies of what is generally known as ecology theory, shifting attention from history to the (in this case media) environment. It takes the robot as its subject because it has attained a status that resonates not only with some of the key concerns of contemporary culture over the last century, but also with the very nature of film. While the robot has given us a vehicle for exploring issues of gender, race, and a variety of forms of otherness, and increasingly for asking questions about the very nature and meaning of life, this image of an artificial being, typically anthropomorphic, also invariably implicates the cinema’s own and quite fundamental artificing of the human. Looking across genres, across specific media forms, and across closely linked conceptualizations, Telotte sketches a context of interwoven influences and meanings. The result is that this study of the cinematic robot, while mainly focused on science fiction film, also incorporates its appearance in, for example, musicals, cartoons, television, advertising, toys, and literature.
About the Author:
J. P. Telotte is a professor of film and media at Georgia Tech. Co-editor of the journal Post Script, he has published widely on film and television with a special emphasis on science fiction. Among his recent publications are The Essential Science Fiction Television Reader, Science Fiction Double Feature, and Science Fiction TV.
See the publisher website: Routledge
> From the same author:
The Oxford Handbook of New Science Fiction Cinemas (2023)
Subject: Genre > Science Fiction
Science Fiction Double Feature (2021)
The Science Fiction Film as Cult Text
Dir. J. P. Telotte and Gerald Duchovnay
Subject: Genre > Science Fiction
Movies, Modernism, and the Science Fiction Pulps (2019)
Subject: Genre > Science Fiction
Science Fiction Film, Television, and Adaptation (2013)
Across the Screens
Dir. J. P. Telotte and Gerald Duchovnay
Subject: Genre > Science Fiction
Voices in the Dark (1988)
The Narrative Patterns of Film Noir
> On a related topic:
Robots That Love (2025)
Artificial Amours in Myth, Folklore, Literature, Popular Culture and the Real World
Subject: Genre > Science Fiction
Societies in Space (2025)
Essays on the Civilized Frontier in Film and Television
Dir. Gary Westfahl
Subject: Genre > Science Fiction
Feminist Posthumanism in Contemporary Science Fiction Film and Media (2025)
From Annihilation to High Life and Beyond
Dir. Julia A. Empey
Subject: Genre > Science Fiction
The Science Fiction Film in Contemporary Hollywood (2025)
A Social Semiotics of Bodies and Worlds
Subject: Genre > Science Fiction
Amazing Worlds of Science Fiction and Science Fact (2025)
by Keith Cooper
Subject: Genre > Science Fiction
The Future Was Now (2025)
Madmen, Mavericks, and the Epic Sci-Fi Summer of 1982
Subject: Genre > Science Fiction
Using Declarative Mapping Sentences in Psychological Research (2024)
Applying Facet Theory in Multi-Componential Critical Analyses of Female Representation in Science Fiction Film and TV
by Paul M.W. Hackett and Chenwei Li
Subject: Genre > Science Fiction
Science Fiction against the Margins (2024)
Cinematic Futures, Global Imaginaries
Dir. Chon A. Noriega, Maya Montañez Smukler and Nicole Ucedo
Subject: Genre > Science Fiction
The Trans and Non-Binary Hero's Journey (2024)
Quests for Empowerment in Science Fiction and Fantasy
by Valerie Estelle Frankel and Dean Leetal
Subject: Genre > Science Fiction
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