MENU   

The Oxford Handbook of American Film History

Edited by

Type
Studies
Subject
Countries
Keywords
american cinema, history of cinema
Publishing date
Publisher
Oxford University Press
Collection
Oxford Handbooks
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover816 pages
6 ½ x 9 ½ inches (16.5 x 24 cm)
ISBN
978-0-19-755612-2
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
The Oxford Handbook of American Film History offers a series of newly-commissioned chapters on the current intellectual and topical diversity of the study of American film history. It provides a thorough look at the complex history of American cinema, and showcases a variety of historiographic practices and methods. Within each of the five chronological sections, readers will find discourse on technology, reception, exemplary films and filmmakers, the culture of celebrity, and industry policy, procedure, and regulation -- on political economy, textual representation (form, style, diversity), scientific/technological innovation, and the cultural (and subcultural) resonance of movies with their time and place.
The Oxford Handbook of American Film explores the delicate and imperfect balance between art and commerce, between entertainment and commercial enterprise. Approaching the history of American film from a dialectical perspective that allows for a close look at not only the important films and filmmakers, but also the complex and fascinating business conducted behind the scenes. Movies are complicated products of a complicated industry. Consequently, the history of film defies a simple formula, a unilateral methodology. It is a history shaped by multiple theses and voices and interests.

About the Author:
Jon Lewis is the University Distinguished Professor of Film Studies at Oregon State University. He is the author of Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry, Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles, and Road Trip to Nowhere: Hollywood Encounters the Counterculture.

See the

> From the same author:

Road Trip to Nowhere:Hollywood Encounters the Counterculture

(2022)

Hollywood Encounters the Counterculture

by

Subject:

When the Movies Mattered:The New Hollywood Revisited

(2019)

The New Hollywood Revisited

Dir. and

Subject: Countries >

American Film:A History

(2019)

A History

by

Subject: Countries >

Hard-Boiled Hollywood:Crime and Punishment in Postwar Los Angeles

(2017)

Crime and Punishment in Postwar Los Angeles

by

Subject: Studio >

Producing

(2016)

Dir.

Subject:

The Road to Romance and Ruin:Teen Films and Youth Culture

(2015)

Teen Films and Youth Culture

by

Subject:

Looking Past the Screen:Case Studies in American Film History and Method

(2007)

Case Studies in American Film History and Method

Dir. and

Subject: Countries >

Whom God Wishes to Destroy . . .:Francis Coppola and the New Hollywood

(1995)

Francis Coppola and the New Hollywood

by

Subject: Director >

> On a related topic:

Girls Will Be Boys:Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934

(2016)

Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934

by

Subject:

American Film History:Selected Readings, Origins to 1960

(2015)

Selected Readings, Origins to 1960

Dir. , and

Subject:

The Sixties, 1960-1969:History of American Cinema vol.8

(2003)

History of American Cinema vol.8

by

Subject:

Lost Illusions, 1970-1979:History of the American Cinema vol.9

(2002)

History of the American Cinema vol.9

by

Subject:

A New Pot of Gold, 1980-1989:History of American Cinema vol.10

(2002)

History of American Cinema vol.10

by

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info