The New American Cinema

Ajouter à ma liste

Sous la direction de Jon Lewis

Type

Studies

Sujet

Countries > United States

Mots Clés

american cinema, social aspects

Année d'édition

1998

Editeur

Duke University Press

Langue

anglais

Taille du livre

Format

Hardcover • 416 pages
6 ¼ x 9 ¼ inches (16 x 23.5 cm)

ISBN-10
ISBN-13

0-8223-2087-8
978-0-8223-2087-6

Appréciation

(0 vote)

X

Moyenne des votes :

0	vote	= On peut s'en passer
0	vote	= Bon livre
0	vote	= Excellent livre
0	vote	= Unique / une référence

Votre vote : -

Description de l'ouvrage:
This collection of essays provides the first comprehensive survey of Hollywood and independent films from the mid-sixties to the present. Deliberately eclectic and panoramic, The New American Cinema brings together thirteen leading film scholars who present a range of theoretical, critical, and historical perspectives on this rich and pivotal era in American cinema.
The essays are divided into three sections: "Movies and Money," "Cinema and Culture," and "Independents and Independence." The first section focuses on the economics of the industry and analyzes the connection between the film business and the finished product. Topics include a look at the economic conditions that made the seventies’ auteur renaissance possible, the distribution of studio and independent films, and the recent spate of mergers and acquisitions that have come to characterize the new Hollywood. The second part of The New American Cinema deals with the political and cultural significance of war and Vietnam films (Platoon, Apocalypse Now, Born on the Fourth of July); "male rampage" films (Rambo, Lethal Weapon, Die Hard); women’s psychothrillers (The Silence of the Lambs); special effects pictures (2001: A Space Odyssey, Star Wars); and historical re-presentations (Oliver Stone’s JFK). The final section casts a keen eye on films produced and exhibited outside the commercial mainstream, examining the financial realities of "indie" films; the influence of independent filmmaker John Cassavetes on Coppola, Altman, and Scorsese; the stereotyping of African Americans in mainstream cinema; and the films of independent women filmmakers.

À propos de l'auteur :
Jon Lewis is Professor of English at Oregon State University. He is the author of The Road to Romance and Ruin: Teen Films and Youth Culture and Whom God Wishes to Destroy: Francis Coppola and the New Hollywood, also published by Duke University Press.

Revue de Presse:
"[P]rovocative and informative. . . ." - Susan Purdie , Year's Work in Critical and Cultural Theory

"The value and quality of the essays contained within [The New American Cinema] is incontestable." - Martin Flanagan , Scope

"This collection is the first I know of to examine contemporary American cinema from so many viewpoints. . . . The authors provide us with new ways of understanding not just the theory and history of recent American film practices, but also the mix of government action, industrial policy, and audience desire that has played such a central role in producing the movies of the last generation." - Eric Smoodin, author of Disney Discourse: Producing the Magic Kingdom

"This definitive reader-anthology is distinguished by the reputation of its contributors and the intelligence and relevance of their essays."
- Dana Polan, author of Power and Paranoia: History, Narrative, and the American Cinema, 1940-1950

"Until now, there has been neither a book nor a collection that addresses recent American film with equal breadth and depth." - D. N. Rodowick, author of Gilles Deleuze’s Time Machine

Voir le site internet de l'éditeur Duke University Press