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Die Hard
by Jon Lewis
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Book Presentation:
Upon its release, John McTiernan's Die Hard (1988) was met with immense commercial and critical success; breaking the $100 million mark at the box office in its first run, and resulting in four Academy Award nominations.
Jon Lewis's study of the action classicclosely examines the film's novel and script adaptation, highlighting the influential role of producer Joel Silver. He delves into Silver's ground-breaking 'whammy theory', which redefined script structure by organizing scripts around timed 'beats' rather than traditional acts or scenes, tracing its impact not only in Die Hard, but also in other iconic franchises like Lethal Weapon, Predator, and The Matrix.
Lewis goes on to consider the film's evocation of post-Vietnam male panic and its connection to the Iron John movement. He highlights Die Hard as a prime example of the 'male rampage film' genre, where white male protagonists express frustration with cultural antagonists like feminism, economic regulation, government bureaucracy, and political corruption. Finally, he reflects on how Die Hard resonated with its 1988 audience, looking for new antagonists in a changing world. The film's anticipation of European radical political groups and later terrorism rooted in North Africa and the Middle East foreshadows the era-defining 'war on terror' that would follow.
About the Author:
Jon Lewis is the University Distinguished Professor of Film Studies and University Honors College Eminent Professor at Oregon State University. He has published thirteen books, including The Road to Romance and Ruin: Teen Films and Youth Culture (a Choice magazine Academic Book of the Year selection) Whom God Wishes to Destroy … Francis Coppola and the New Hollywood (a Booklist starred title), Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry (a New York Times New and Noteworthy title), Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles, and for the British Film Institute's Film Classics series, The Godfather. Professor Lewis has appeared in two theatrically released documentaries on film censorship: Inside Deep Throat (Fenton Bailey, 2005) and This Film is Not Yet Rated (Kirby Dick, 2006). Between 2002 and 2007, Lewis was editor of Cinema Journal and had a seat on the Executive Council of the Society for Cinema and Media Studies.
See the publisher website: BFI Publishing
See Die Hard (1988) on IMDB ...
> From the same author:
Road Trip to Nowhere (2022)
Hollywood Encounters the Counterculture
by Jon Lewis
Subject: History of Cinema
When the Movies Mattered (2019)
The New Hollywood Revisited
Dir. Jonathan Kirshner and Jon Lewis
Subject: Countries > United States
The American Film History Reader (2014)
Dir. Jon Lewis and Eric Smoodin
Subject: Countries > United States
Looking Past the Screen (2007)
Case Studies in American Film History and Method
Dir. Jon Lewis and Eric Smoodin
Subject: Countries > United States
Whom God Wishes to Destroy . . . (1995)
Francis Coppola and the New Hollywood
by Jon Lewis
Subject: Director > Francis Ford Coppola
> On a related topic:
John McTiernan (2018)
The Rise and Fall of an Action Movie Icon
by Larry Taylor
Subject: Director > John McTiernan
Bruce Willis (2024)
Celebrating the Cinematic Legacy of an Unbreakable Hollywood Icon
Subject: Actor > Bruce Willis
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