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Visual Anthropology of Indian Films
Religious Communities and Cultural Traditions in Bollywood and Beyond
Edited by Pankaj Jain
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Book Presentation:
This book provides a unique insider’s look at the world’s largest film industry, now globally known as ‘Bollywood’ and challenges existing notions about Indian films.
Indian films have been a worldwide phenomenon for decades. Chapters in this edited volume take a fresh view of various hidden gems by maestros such as Raj Kapoor, Bimal Roy, V Shantaram, Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Shakti Samant, Rishikesh Mukherjee, and others. Other chapters provide a pioneering review and analysis of the portrayal of Indian religious communities such as Hindus, Muslims, Christians, and Parsis. The themes covered include unique Indian feminism and male chauvinism, environment and climate issues, international locations and diaspora tourism, religious harmony and conflict, the India-Pakistan relationship, asceticism, and renunciation in Hinduism, Jainism, and Buddhism. Unlike many recent studies of Indian films, these chapters do not distinguish between popular and serious cinema. Many chapters focus on Hindi films, but others bring insights from films made in other parts of India and its neighbouring countries.
One of the chapters in this volume was originally published in the book titled Film and Place in an Intercultural Perspective India-Europe Film Connections, edited by Krzysztof Stachowiak, Hania Janta, Jani Kozina, and Therese Sunngren-Granlund. Another chapter was originally published in Worldviews: Global Religions, Culture, and Ecology. All other chapters were originally published in Visual Anthropology.
About the Author:
Pankaj Jain is Professor and HoD of Humanities and Languages and the Chair of The India Centre at FLAME University. He is a renowned academic leader with international recognition in Sustainability, Jain Studies, Film Studies, and Diaspora Studies. He has co-edited the Encyclopedia of Indian Religions (2022) and Indian and Western Philosophical Concepts in Religion (2023). His earlier monographs are Modern Jainism: A Historical Approach (2023), Dharma in America: A Short History of Hindu-Jain Diaspora (2019), award-winning Dharma and Ecology of Hindu Communities: Sustenance and Sustainability (2011), and Science and Socio-Religious Revolution in India: Moving the Mountains (2015). His articles and quotes have been featured in the Huffington Post, Washington Post, Times of India’s Speaking Tree, and Patheos. In July 2020, the New York Times interviewed him; in 2019, Morgan Freeman interviewed him for the section on Jainism in the National Geographic series The Story of God.
See the publisher website: Routledge
> On a related topic:
Muslim Identity in Hindi Cinema (2025)
Poetics and Politics of Genre and Representation
Ways of Remembering (2024)
Law, Cinema and Collective Memory in the New India
Postcolonial Bollywood and Muslim Identity (2024)
Production, Representation, and Reception
Bollywood and Globalization (2015)
The Global Power of Popular Hindi Cinema
Dir. David J. Schaefer and Kavita Karan
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