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Uncovering the Holocaust

The International Reception of Night and Fog

Sous la direction de Ewout van der Knaap

Type
Studies
Sujet
One FilmNight and Fog
Mots Clés
Alain Resnais, holocaust
Année d'édition
2006
Editeur
Wallflower Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover • 208 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
1-904764-65-7
978-1-904764-65-6
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Description de l'ouvrage:
Nuit et Brouillard (Night and Fog, 1956) by Alain Resnais carried the impact of the Holocaust to the cinema screen and to societies across the world. This volume, which coincides with the fiftieth anniversary of the film's release, examines its representation of the Holocaust and documents its reception in different contexts, countries, and societies, as well as its continuing place in the cultural memory of the Holocaust. It comprises a comparative study of the place of the film in the debates around the actuality and the meaning of the Holocaust in France, Germany, Israel, the Netherlands, the UK, and the U.S. The film itself, from the director of Last Year in Marienband (1960), used footage from the liberation of the concentration camps (previously only used in newsreels) and integrated it with reflective and poetic material.

À propos de l'auteur :
Ewout van der Knaap is assistant professor of German literature and culture at Utrecht University.

Voir le site internet de l'éditeur Wallflower Press

Voir la fiche de Night and Fog (1956) sur le site IMDB ...

> Sur un thème proche :

Concentrationary Cinema:Aesthetics as Political Resistance in Alain Resnais's Night and Fog

Concentrationary Cinema (2014)

Aesthetics as Political Resistance in Alain Resnais's Night and Fog

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Sujet : One Film > Night and Fog

Night and Fog:A Film in History

Night and Fog (2014)

A Film in History

de Sylvie Lindeperg

Sujet : One Film > Night and Fog

The Ethnographic Optic:Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema

The Ethnographic Optic (2024)

Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema

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Sujet : Countries > France

Haunting the Left Bank:Mortality and Intersubjectivity in Varda, Resnais and Marker

Haunting the Left Bank (2022)

Mortality and Intersubjectivity in Varda, Resnais and Marker

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Sujet : Theory

Where Film Meets Philosophy:Godard, Resnais, and Experiments in Cinematic Thinking

Where Film Meets Philosophy (2013)

Godard, Resnais, and Experiments in Cinematic Thinking

de Hunter Vaughan

Sujet : History of Cinema

Black and Blue:The Bruising Passion of Camera Lucida, La Jetée, Sans Soleil, and Hiroshima Mon Amour

Black and Blue (2012)

The Bruising Passion of Camera Lucida, La Jetée, Sans Soleil, and Hiroshima Mon Amour

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