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The Romanian Cinema of Nationalism
Historical Films as Propaganda and Spectacle
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Book Presentation:
Prior to the collapse of communism, Romanian historical movies were political, encouraging nationalistic feelings and devotion to the state. Vlad the Impaler and other such iconic figures emerged as heroes rather than loathsome bloodsuckers, celebrating a shared sense of belonging.
The past decade has, however, presented Romanian films in which ordinary people are the stars—heroes, go-getters, swindlers and sore losers.
The author explores a wide selection, old and new, of films set in the Romanian past.
About the Author:
Onoriu Colăcel, an associate professor at Stefan cel Mare University of Suceava, has authored three books and has published on Romanian and Moldovan literary culture and visual media. He lives in Suceava, Romania.
See the publisher website: McFarland & Co
> On a related topic:
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Studies in the Sociology of Film
Film Genres in Hungarian and Romanian Cinema (2021)
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Cinema in Service of the State (2017)
Perspectives on Film Culture in the GDR and Czechoslovakia, 1945-1960
Dir. Lars Karl and Pavel Skopal
Army Film and the Avant Garde (2014)
Cinema and Experiment in the Czechoslovak Military
The Triumph of the Ordinary (2002)
Depictions of Daily Life in the East German Cinema, 1949-1989
Romanian Capitalism on Film (2025)
Microhistories of Hope, Anxiety and Adaptation
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