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The Triumph of the Ordinary
Depictions of Daily Life in the East German Cinema, 1949-1989
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Description de l'ouvrage:
Were movies in the East Bloc propaganda or carefully veiled dissent? In the first major study in English of East German film, Joshua Feinstein argues that the answer to this question is decidedly complex.
Drawing on newly opened archives as well as interviews with East German directors, actors, and state officials, Feinstein traces how the cinematic depiction of East Germany changed in response to national political developments and transnational cultural trends such as the spread of television and rock 'n' roll. Celluloid images fed a larger sense of East German identity, an identity that persists today, more than a decade after German reunification. But even as they attempted to satisfy calls for "authentic" images of the German Democratic Republic that would legitimize socialist rule, filmmakers challenged the regime's self-understanding. Beginning in the late 1960s, East German films dwelled increasingly on everyday life itself, no longer seeing it merely as a stage in the development toward communism. By presenting an image of a static rather than an evolving society, filmmakers helped transform East German identity from one based on a commitment to socialist progress to one that accepted the GDR as it was.
À propos de l'auteur :
Joshua Feinstein has taught European history at Stanford University and Emory University. He lives in Buffalo, New York.
Revue de Presse:
"An extremely well-researched book. . . . [This] multilayered analysis . . . is a remarkable feat of historical contextualization."
-- "Monatshefte"
An original and engaging exploration of East German cinema and the role of cultural production and consumption in the evolution of postwar socialist society. (Heide Fehrenbach, author of "Cinema in Democratizing Germany")
Voir le site internet de l'éditeur University of of North Carolina Press
> Sur un thème proche :
Cinema in Service of the State (2017)
Perspectives on Film Culture in the GDR and Czechoslovakia, 1945-1960
Dir. Lars Karl et Pavel Skopal
Screening Art (2022)
Modernist Aesthetics and the Socialist Imaginary in East German Cinema
de Seán Allan
Re-Imagining DEFA (2016)
East German Cinema in its National and Transnational Contexts
Dir. Seán Allan et Sebastian Heiduschke
Hollywood Behind the Wall (2005)
The Cinema of East Germany
Cinematically Transmitted Disease (2024)
Eugenics and Film in Weimar and Nazi Germany
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