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Anatomy of the Slasher Film
A Theoretical Analysis
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Book Presentation:
The term “slasher film” was common parlance by the mid–1980s but the horror subgenre it describes was at least a decade old by then—formerly referred to as “stalker,” “psycho” or “slice-’em-up.” Examining 74 movies—from The Texas Chainsaw Massacre (1974) to Texas Chainsaw 3D (2013)—the author identifies the characteristic elements of the subgenre while tracing changes in narrative patterns over the decades.
The slasher canon is divided into three eras: the classical (1974–1993), the self-referential (1994–2000) and the neoslasher cycle (2000–2013).
About the Author:
Sotiris Petridis is an adjunct professor at Hellenic Open University, Greece. His research interests are about film and television genres, audiovisual horror, screenwriting theory and practice, viral marketing, and the new ways of film and television promotion and has written academic books and articles on cinema and audiovisual narrative. He is a member of the European Film Academy and the Greek Film Academy.
See the publisher website: McFarland & Co
> From the same author:
The Films of Antoinetta Angelidi (2024)
Dir. Penny Bouska and Sotiris Petridis
Subject: Director > Antoinetta Angelidi
> On a related topic:
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The Cinematic Boogeyman (2024)
From the Fairytale to the Slasher Film
Slasher Films (2009)
An International Filmography, 1960 through 2001
Horror House Film (2026)
Possession, Obsession, Domination, Masculinity
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