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Anatomy of the Slasher Film

A Theoretical Analysis (livre en anglais)

de Sotiris Petridis

Type
Etudes
Sujet
GenreHorreur
Mots Clés
horreur, slashers
Année d'édition
2019
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 178 pages
15 x 23 cm
ISBN
978-1-4766-7431-5
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Description de l'ouvrage :
The term “slasher film” was common parlance by the mid–1980s but the horror subgenre it describes was at least a decade old by then—formerly referred to as “stalker,” “psycho” or “slice-’em-up.” Examining 74 movies—from The Texas Chainsaw Massacre (1974) to Texas Chainsaw 3D (2013)—the author identifies the characteristic elements of the subgenre while tracing changes in narrative patterns over the decades.

The slasher canon is divided into three eras: the classical (1974–1993), the self-referential (1994–2000) and the neoslasher cycle (2000–2013).

À propos de l'auteur :
Sotiris Petridis is an adjunct professor at Hellenic Open University, Greece. His research interests are about film and television genres, audiovisual horror, screenwriting theory and practice, viral marketing, and the new ways of film and television promotion and has written academic books and articles on cinema and audiovisual narrative. He is a member of the European Film Academy and the Greek Film Academy.

Voir le site internet de l'éditeur McFarland & Co

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