Horror Noir

Where Cinema's Dark Sisters Meet

Add to my list

by Paul Meehan

Type

Studies

Subject

Genre > Horror

Keywords

horror, film noir

Publishing date

2010

Publisher

McFarland & Co

Collection

Film Noir

Language

English

Relative size

Physical desc.

Paperback • 310 pages
7 x 10 inches (18 x 25.5 cm)

ISBN

978-0-7864-4597-4

User Ratings

(0 vote)

X

Average rating:

0	rating	= We can do without
0	rating	= Good book
0	rating	= Excellent book
0	rating	= Unique / a reference

Your rating: -

Book Presentation:
This critical survey examines the historical and thematic relationships between two of the cinema’s most popular genres: horror and film noir. The influence of 1930s- and 1940s-era horror films on the development of noir is detailed, with analyses of more than 100 motion pictures in which noir criminality and mystery meld with supernatural and psychological horror. Included are the films based on popular horror/mystery radio shows (The Whistler, Inner Sanctum), the works of RKO producer Val Lewton (Cat People, The Seventh Victim), and Alfred Hitchcock’s psychological ghost stories. Also discussed are gothic and costume horror noirs set in the 19th century (The Picture of Dorian Gray, Hangover Square); the noir elements of more recent films; and the film noir aspects of the Hannibal Lecter movies and other serial-killer thrillers.

About the Author:
Paul Meehan is the author of several books on science fiction, film noir and horror films, and a contributor to the Noir City Sentinel, the journal of the Film Noir Foundation and to The Palgrave Handbook of the Vampire. He lives in San Francisco.

Press Reviews:
"a fascinating study, indispensable for aficionados"—Booklist
"a solid contribution to film literature…recommended"—Journal of American Culture

See the publisher website: McFarland & Co