MENU   

The Story of Victorian Film

de , et

Type
Studies
Sujet
Mots Clés
Great Britain, pre-cinema, history of cinema
Année d'édition
Editeur
BFI Publishing
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback192 pages
7 x 8 ¾ inches (17.5 x 22 cm)
ISBN
978-1-911239-61-1
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
In this vivid and accessible new account of the dawn of film in Britain, internationally respected film historian and curator Bryony Dixon introduces us to Britain's first cinematic pioneers - an eclectic mix of chemists, engineers, photography enthusiasts, fairground showmen and magicians - who in a few short years built a vibrant new industry. As she chronicles the emergence of the first embryonic film forms and genres, she reveals often surprising innovations, from cutting-edge science to ingeniously witty tricks and comedies, with filmmakers reflecting existing entertainment forms as well as advancing editing and cinematography in ways that shaped the art of film for many decades after.

Dixon offers fresh insights by focusing on the films themselves - many of them only recently available to view - while building on the work of generations of scholars. In the process, Dixon makes a compelling case for the British filmmakers of the era as inventive and creative figures, every bit as influential as their more celebrated contemporaries in France and the US.

À propos des auteurs :
Bryony Dixon is curator of silent film at the BFI National Archive. She is the author of 100 Silent Films (BFI Screen Guides, 2011) and has written numerous articles and book chapters on silent cinema and archiving. She is co-director of the British Silent Film Festival and has programmed films for many international festivals. She has been lead curator on a number of the BFI's recent film restorations, including Underground (1928), Shooting Stars (1927), Epic of Everest (1924), The Great White Silence (1924), all nine surviving Hitchcock silent films and the BFI's large format Victorian films.

Voir le

> Des mêmes auteurs :

> Sur un thème proche :

A Special Relationship:Britain Comes to Hollywood and Hollywood Comes to Britain

(2015)

Britain Comes to Hollywood and Hollywood Comes to Britain

de

Sujet :

When Hollywood Loved Britain:The Hollywood 'British' Film 1939-45

(1999)

The Hollywood 'British' Film 1939-45

de

Sujet :

From Silent Screen to Multi-Screen:A History of Cinema Exhibition in Britain Since 1896

(2007)

A History of Cinema Exhibition in Britain Since 1896

de

Sujet :

Hollywood's Overseas Campaign:The North Atlantic Movie Trade, 1920 1950

(1992)

The North Atlantic Movie Trade, 1920 1950

de

Sujet :

Popular Visual Shows 1800–1914:Picturegoing from Peep Shows to Film

(2025)

Picturegoing from Peep Shows to Film

de et

Sujet :

The Man Who Invented Motion Pictures:A True Tale of Obsession, Murder, and the Movies

(2023)

A True Tale of Obsession, Murder, and the Movies

de

Sujet :

The Emergence of Pre-Cinema:Print Culture and the Optical Toy of the Literary Imagination

(2018)

Print Culture and the Optical Toy of the Literary Imagination

de

Sujet :

17205 livres recensés   •   (c)2024-2026 cinemabooks.info   •     •   Politique de confidentialité
Les livres en français sont sur www.livres-cinema.info