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The Japanese Cinema Book

Edited by and

Type
Studies
Subject
Countries
Keywords
Japan, history of cinema
Publishing date
Publisher
BFI Publishing
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback624 pages
7 ½ x 9 ¾ inches (19 x 24.5 cm)
ISBN
978-1-84457-678-4
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Book Presentation:
The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date.
Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film.
With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon.
The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions.
The Japanese Cinema Book is divided into seven inter-related sections:
- Theories and Approaches
- * Institutions and Industry
- * Film Style
- * Genre
- * Times and Spaces of Representation
- * Social Contexts
- * Flows and Interactions

See the

> From the same authors:

Tokyo Story:(Tokyo Monogatari)

(2022)

(Tokyo Monogatari)

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Making Audiences:A Social History of Japanese Cinema and Media

(2022)

A Social History of Japanese Cinema and Media

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Making Personas:Transnational Film Stardom in Modern Japan

(2013)

Transnational Film Stardom in Modern Japan

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Japanese Cinema:Texts and Contexts

(2007)

Texts and Contexts

Dir. and

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City of Darkness, City of Light: Emigre Filmmakers in Paris 1929-1939

(2003)

Emigre Filmmakers in Paris 1929-1939

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> On a related topic:

Japanese Film and the Floating Mind:Cinematic Contemplations of Being

(2016)

Cinematic Contemplations of Being

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Subject: Countries >

Time Frames:Japanese Cinema And the Unfolding of History

(2007)

Japanese Cinema And the Unfolding of History

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Subject: Countries >

Japanese Cinema and Punk:Intermedial Exchanges

(2025)

Intermedial Exchanges

by

Subject: Countries >

Japanese Filmmakers in the Wake of Fukushima:Perspectives on Nuclear Disasters

(2023)

Perspectives on Nuclear Disasters

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Japanese High School Films:Iconography, Nostalgia and Discipline

(2023)

Iconography, Nostalgia and Discipline

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