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Paris in the Cinema

Beyond the Flâneur

Edited by and

Type
Stories
Subject
On Films
Keywords
city, Paris
Publishing date
Publisher
BFI Publishing
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback286 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-84457-818-4
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Book Presentation:
This essay collection offers a new approach to the representation of Paris on screen. Bringing together a wide range of renowned French and Anglophone specialists in film, television, history, architecture and literature, Alastair Phillips and Ginette Vincendeau introduce, challenge and extend ideas about the city as the locus of screen modernity. Through a range of concrete and historically-specific case studies, this unique text demonstrates how the cinematic city of Paris now constitutes a major archive of French cultural history and memory.

This is an ideal resource for undergraduate and postgraduate students of Film, Media and Cultural Studies, French Studies, European or Transnational Studies, Visual Studies, and Urban Studies. Fresh and engaging, this fascinating text will also appeal to lovers of French cinema and the capital city that comprises its major home.

About the authors:
Alastair Phillips is Professor of Film Studies at the University of Warwick, UK. He is the author of City of Darkness, City of Light: Émigré Filmmakers in Paris 1929-1939 and Rififi: A French Film Guide. He is the co-author of 100 Film Noirs (BFI Screen Guides) and the co-editor of Journeys of Desire: European Actors in Hollywood; Japanese Cinema: Texts and Contexts; A Companion to Jean Renoir and Paris in the Cinema: Beyond the Flaneur (2017). He is an editor of the journal Screen and serves on the Editorial Advisory Boards of The Journal of Japanese and Korean Cinema and the BFI Film Classics series.Ginette Vincendeau is Professor of Film Studies at King's College London . She is the editor of the BFI/Cassell Encyclopedia of European Cinema, and the author of The Companion to French Cinema (BFI/Cassell 1996) and Pépé le Moko (BFI, 1998).

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