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Alton's Paradox

Foreign Film Workers and the Emergence of Industrial Cinema in Latin America

by Nicolas Poppe

Type
Studies
Subject
CountriesLatin America
Keywords
Latin America, economics, immigration
Publishing date
2022
Publisher
State University of New York Press
Collection
SUNY series in Latin American cinema
1st publishing
2021
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 376 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-4384-8504-1
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Book Presentation:
Uses extensive archival research to explore the manifold contributions of foreign film workers to emerging film industries in Latin America from the 1930s to early 1940s.

Alton's Paradox builds upon extensive archival and primary research, but uses a single text as its point of departure—a 1934 article by the Hungarian American cinematographer John Alton in the Hollywood-published International Photographer. Writing from Argentina, Alton paradoxically argues of cine nacional, "The possibilities are enormous, but not until foreign technicians will take the matter in their hands and with foreign organization will there be local industry." Nicolas Poppe argues that Alton succinctly articulates a line of thought commonly held across Latin America during the early sound period but little explored by scholars: that foreign labor was pivotal to the rise of national film industries. In tracking this paradox from Hollywood to Mexico to Argentina and beyond, Poppe reconsiders a series of notions inextricably tied to traditional film historiography, including authorship, (dis)continuation, intermediality, labor, National Cinema, and transnationalism. Wide-angled views of national film industries complement close-up analyses of the work of José Mojica, Alex Phillips, Juan Orol, Ángel Mentasti, and Tito Davison.

About the Author:
Nicolas Poppe is Associate Professor of Luso-Hispanic Studies at Middlebury College and the coeditor (with Rielle Navitski) of Cosmopolitan Film Cultures in Latin America, 1896–1960.

Press Reviews:
"A book that film scholars, historians of Latin America, and students will find stimulating and innovative, Alton's Paradox is a provocative inquiry into the many meanings and definitions of a 'national film culture,' the essentially transnational character of cinema, and the persisting and everlasting relationship between Latin American cinema and Hollywood." — Hispanic American Historical Review

See the publisher website: State University of New York Press

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