MENU   

Fertile Visions

The Uterus as a Narrative Space in Cinema from the Americas

by

Type
Studies
Subject
Keywords
women, representation, body
Publishing date
Publisher
Bloomsbury Academic
Collection
Thinking Cinema
1st publishing
2021
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback240 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-5013-8131-7
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Fertile Visions conceptualises the uterus as a narrative space so that the female reproductive body can be understood beyond the constraints of a gendered analysis. Unravelling pregnancy from notions of maternity and mothering demands that we think differently about narratives of reproduction. This is crucial in the current global political climate wherein the gender-specificity of pregnancy contributes to how bodies that reproduce are marginalised, controlled, and criminalised. Anne Carruthers demonstrates fascinating and insightful close analyses of films such as Juno, Birth, Ixcanul and Arrival as examples of the uterus as a narrative space. Fertile Visions engages with research on the foetal ultrasound scan as well as phenomenologies, affect and spectatorship in film studies to offer a new way to look, think and analyse pregnancy and the pregnant body in cinema from the Americas.

About the Author:
Awarded a PhD in Film Studies from Newcastle University, UK in 2017, Anne Carruthers has an MA in International Film: History, Theory and Practice and an MA in Creative Writing. She is a freelance script reader and lectures in film studies. Her research interests lie in phenomenologies, narrative, and close textual analysis.

Press Reviews:
"This is an intellectually muscular approach to pregnancy (deliberately re-presented as "the uterus"), and a highly original conception of the uterus as narrative space. Carruthers deploys phenomenology to focus on the uterus as distinct from motherhood/maternity, and pursues her topic via wide-ranging and impressive research in all the areas of film studies touched upon." ―Kate Ince, Professor of French and Visual Studies, University of Birmingham, UK

See the

> On a related topic:

Working Women on Screen:Paid Labour and Fourth Wave Feminism

(2025)

Paid Labour and Fourth Wave Feminism

Dir. , and

Subject:

It's All in the Delivery:Pregnancy in American Film and Television Comedy

(2024)

Pregnancy in American Film and Television Comedy

by

Subject:

From La Strada to The Hours:Suffering and Sovereign Women in the Movies

(2024)

Suffering and Sovereign Women in the Movies

Dir. and

Subject:

The Monstrous-Feminine:Film, Feminism, Psychoanalysis

(2023)

Film, Feminism, Psychoanalysis

by

Subject:

Return of the Monstrous-Feminine:Feminist New Wave Cinema

(2022)

Feminist New Wave Cinema

by

Subject:

Affirmative Aesthetics and Wilful Women:Gender, Space and Mobility in Contemporary Cinema

(2021)

Gender, Space and Mobility in Contemporary Cinema

by

Subject:

Afterimages:On Cinema, Women and Changing Times

(2020)

On Cinema, Women and Changing Times

by

Subject:

Girl Head:Feminism and Film Materiality

(2020)

Feminism and Film Materiality

by

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info