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Late-colonial French Cinema

Filming the Algerian War of Independence

de

Type
Studies
Sujet
Countries
Mots Clés
French cinema, war, ideology
Année d'édition
Editeur
Edinburgh University Press
Collection
Traditions in World Cinema
1ere édition
2023
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback280 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-4744-6202-0
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Description de l'ouvrage:
Deploying the term ‘late-colonial’ to describe a body of largely French films made during, and in response to, the Algerian War of Independence (1954-1962), this book revolves around one question – what is late-colonial French cinema? – generating two answers.
Firstly, Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Secondly, Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of ‘redemptive pacifism’.

À propos de l'auteur :
Mani Sharpe is a Lecturer in Film in the Centre for World Cinemas and Digital Cultures at the University of Leeds. He is the author of several articles on late-colonial French cinema, having published in French Studies, Journal of European Studies, Journal of War and Culture Studies, and Studies in French Cinema, amongst others.

Revue de Presse:
This is a book full of riches, combining scholarship and style. The research is meticulous, the contextualisation magisterial. A major contribution to cultural history as much as to film studies, Sharpe’s work forms a missing piece of the jigsaw regarding French cinematic representations of Algeria.
-- Guy Austin, Newcastle University

In this expertly written book, Mani Sharpe uncovers a buried web of French late-colonial film. A varied array of shorts and features expose and dissimulate a dissolving French-Algeria. Sharpe's exploration of masculinity and militantism in these resurfacing artifacts demands our immediate attention.
-- Nicole Beth Wallenbrock, City University of New York

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