MENU   

National Mythologies in Central European TV Series

How J.R. Won the Cold War

Edited by

Type
Studies
Subject
Countries
Keywords
Eastern Europe, television, TV Series, ideology, cold war
Publishing date
Publisher
Liverpool University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover224 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-84519-596-0
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
This is the first ever international comparative study of the mythologies which popular TV series in Czechoslovakia/Czech Republic, Hungary, Poland and Romania -- made before and after the fall of communism -- disseminate in their societies. Popular television broadcasting has had an enormous impact on the general public's beliefs and values, East and West. From the outset, the communist systems of Central and East Europe used entertainment television programming to instil the regimes' values in the viewer. And indeed popular television still exerts a major impact on these fairly homogeneous societies. Up to date research about current social values and factors in the formation of individual and collective identity has considerable strategic importance for decision making both in Britain and in the EU. If we are to understand how the populations of the Central and East European countries might react in the current relatively unstable political and economic situation, it is necessary to understand the indigenous political, social and cultural discourse in these countries. Comparison of samples of popular television from the 1970s, 1980s and 2000s provides strategically significant material about how these societies think and rationalise, and what their thinking is rooted in. The study proceeds from the premise that popular television series provide a fertile ground of investigation as mass media reflects and shapes social and cultural values.

See the

> From the same author:

A Society in Distress:The Image of the Czech Republic in Contemporary Czech Feature Film

(2012)

The Image of the Czech Republic in Contemporary Czech Feature Film

by

Subject: Countries >

> On a related topic:

The Haunted Present:Slavic Neo-Noir Cinema and Television

(2026)

Slavic Neo-Noir Cinema and Television

Dir. , and

Subject: Countries >

Hungarian Film 1929 - 1947:National Identity, Anti-Semitism and Popular Cinema

(2017)

National Identity, Anti-Semitism and Popular Cinema

by

Subject: Countries >

Disintegration in Frames:Aesthetics and Ideology in the Yugoslav and Post-Yugoslav Cinema

(2007)

Aesthetics and Ideology in the Yugoslav and Post-Yugoslav Cinema

by

Subject: Countries >

Cinema of Collaboration:DEFA Coproductions and International Exchange in Cold War Europe

(2022)

DEFA Coproductions and International Exchange in Cold War Europe

by

Subject: Countries >

Hollywood Behind the Wall:The Cinema of East Germany

(2005)

The Cinema of East Germany

by

Subject: Countries >

The Extreme Cinema of Eastern Europe:Rape, Art, (S)Exploitation

(2025)

Rape, Art, (S)Exploitation

by

Subject: Countries >

Stories between Tears and Laughter:Popular Czech Cinema and Film Critics

(2024)

Popular Czech Cinema and Film Critics

by

Subject: Countries >

Albanian Cinema Through the Fall of Communism:Silver Screens and Red Flags

(2023)

Silver Screens and Red Flags

by

Subject: Countries >

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info