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Women's Film Authorship in Neoliberal Times

Revisiting Feminism and German Cinema

Sous la direction de et

Type
Studies
Sujet
Countries > 
Mots Clés
Germany, feminism
Année d'édition
Editeur
Duke University Press
Collection
Camera Obscura special issue
#99
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 160 pages
6 x 9 ¼ inches (15 x 23.5 cm)
ISBN
-
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Description de l'ouvrage:
This special issue posits German cinema as a key site for the theorization of women’s film authorship and feminist film production today. Since German unification, many of the gains achieved during the feminist film movement of the 1970s have been undone, not least as a result of the dismantling of redistributive funding policies in the face of the global free market. Yet the rise of the Berlin School, the development of production collectives fostering women’s filmmaking, and the Pro Quote Film movement promoting gender parity in the film industry through quotas makes the time ripe for a reconsideration of the relations between aesthetic form and the material conditions of women’s filmmaking in Germany.

Contributors: Hester Baer, Muriel Cormican, Angelica Fenner, Sebastian Heiduschke, Mary Hennessy, Priscilla Layne, Faye Stewart

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