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Dismantling the Dream Factory
Gender, German Cinema, and the Postwar Quest for a New Film Language
by Hester Baer
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Book Presentation:
The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to ‘dismantle the dream factory’ of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 per cent of cinema audiences a ‘women’s cinema’ emerged, which sought to appeal to female spectators through its genres, star choices, stories and formal conventions. In addition to analyzing the formal language and narrative content of these films, Baer uses a wide array of other sources to reconstruct the original context of their reception, including promotional and publicity materials, film programs, censorship documents, reviews and spreads in fan magazines. This book presents a new take on an essential period, which saw the rebirth of German cinema after its thorough delegitimization under the Nazi regime.
About the Author:
Hester Baer is Associate Professor of Germanic Studies at the University of Maryland, College Park. She has published widely on postwar and contemporary German cinema, women's literature, and feminism.
Press Reviews:
"…[a] fascinating study…[that] makes a major contribution to a burgeoning field dedicated to the investigation of what was once dismissed." · Monatshefte
"...makes a significant and original contribution, is well researched as well as written, and would lend itself conveniently to the teaching of any of these films…[It] bring[s] to bear theories from Anglo-American film studies as well as German cultural studies and history. The result is a felicitous mixture of theory, cultural-historical context, and informed film readings." · Jaimey Fisher, University of California, Davis
See the publisher website: Berghahn Books
> From the same author:
Nuclear Futures in the Post-Fukushima Age (2024)
Literature, Film, and Performance from Germany and Japan
Dir. Hester Baer and Michele M. Mason
Subject: Sociology
Women's Film Authorship in Neoliberal Times (2018)
Revisiting Feminism and German Cinema
Dir. Hester Baer and Angelica Fenner
> On a related topic:
Staging West German Democracy (2020)
Governmental PR Films and the Democratic Imaginary, 1953-1963
by Jan Uelzmann and Imke Meyer
Race Under Reconstruction in German Cinema (2011)
Robert Stemmle's Toxi
New German Cinema and Its Global Contexts (2025)
A Transnational Art Cinema
Dir. Marco Abel and Jaimey Fisher
Charting Asian German Film History (2025)
Imagination, Collaboration, and Diasporic Representation
Dir. Qinna Qinna Shen, Zach Ramon Fitzpatrick and Qingyang Freya Zhou
Experiencing National Culture Abroad (2024)
The Study of Turkish Film Festivals in Germany
Transnational German Film at the End of Neoliberalism (2024)
Radical Aesthetics, Radical Politics
Dir. Claudia Breger and Olivia Landry
Cinematically Transmitted Disease (2024)
Eugenics and Film in Weimar and Nazi Germany
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